“Just when you thought it was safe to think, in comes mental piracy!”

From the interview «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!» http://www.prevale.net/news-and-releases.html, Corriereinformazione.it
Original: (it) [Cosa pensi della pirateria musicale?] Uccide la musica! Quindi, tutto ciò che è pura emozione.
Source: From the interview by Federico Valenti, «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!», Corriereinformazione.it, August 22, 2010; on Prevale.net http://www.prevale.net/news-and-releases.html.

Source: The Iron Duke

Source: The Winter of Our Discontent (1961), Part One, Chapter III

Source: Red Seas Under Red Skies

Free Culture (2004)
Context: By insisting on the Constitution's limits to copyright, obviously Eldred was not endorsing piracy. Indeed, in an obvious sense, he was fighting a kind of piracy — piracy of the public domain. When Robert Frost wrote his work and when Walt Disney created Mickey Mouse, the maximum copyright term was just fifty-six years. Because of interim changes, Frost and Disney had already enjoyed a seventy-five-year monopoly for their work. They had gotten the benefit of the bargain that the Constitution envisions: In exchange for a monopoly protected for fifty-six years, they created new work. But now these entities were using their power — expressed through the power of lobbyists' money — to get another twenty-year dollop of monopoly. That twenty-year dollop would be taken from the public domain. Eric Eldred was fighting a piracy that affects us all.

Source: Sex, Lies and Vampires

Source: The Note Book of Elbert Hubbard (1927), p. 64.

Source: The Power of Now (1997)