Interview with Rock Guitar Player Magazine, 2003.
“What foreigners like most about Britain is not multiculturalism or tolerance or any of that new Labour nonsense. No, what they like is our history. Shakespeare. Blenheim Palace. Soldiers in preposterous hats who don't move. Yes, they may go and see some dead dogs in a modern art gallery but that's only because they've spent the morning on top of a sightseeing bus and they're freezing.”
Source: For Crying Out Loud! The World According to Clarkson Volume Three (2008), p. 17
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Jeremy Clarkson 60
English broadcaster, journalist and writer 1960Related quotes
Press conference http://listenonrepeat.com/watch/?v=uKdbZWNqF00#President_George_W._Bush_Says__Bring__em_on_, discussing the then-incipient insurgency in Iraq; press conference, July 2, 2003.
2000s, 2003
“People who get eyeball arthritis see only what they're supposed to see, like that TV screen.”
"Hunter Lake", The Magazine of Fantasy & Science Fiction, October/November 2003, Reprinted in Gene Wolfe, Starwater Strains (2005)
Fiction
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)
Quoted on Yahoo News!, "First lady tells Kansas students to fight bias" (16 May 2014) http://news.yahoo.com/first-lady-tells-kansas-students-fight-bias-021747701.html
2010s
2010s, 2016, August, Speech at rally in Wilmington, North Carolina (August 9, 2016)
Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.
first side of the first tape
1975 - 1992, Oral history interview with Joan Mitchell, 1986