“This paucity of actors on the stage reflects the liturgical roots of Greek theater, which continued to stick close to its religious origins. … [A] machine, called the mēchanē, was a sort of crane that swung an actor playing a god over the parapet of the skēnē and out above the stage (thus the Latin phrase deus ex machina for a solution from nowhere, an unforeseen answer to prayers).”

— Thomas Cahill

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.IV The Politician and the Playwright: How to Rule

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Thomas Cahill 58

American scholar and writer 1940

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