Leonardo Da Vinci (1452–1519) Italian Renaissance polymath
Of the lightning in clouds.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
VII, 56
Meditations (c. 121–180 AD), Book VII
Leonardo Da Vinci (1452–1519) Italian Renaissance polymath
Of the lightning in clouds.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Johann Gottlieb Fichte book The Vocation of Man
Jane Sinnett, trans 1846 p. 53
The Vocation of Man (1800), Knowledge
Marcus Aurelius book Meditations
Forward, as occasion offers. Never look round to see whether any shall note it…. Be satisfied with success in even the smallest matter, and think that even such a result is no trifle.
IX, 29
Meditations (c. 121–180 AD), Book IX
Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet
Source: Moby-Dick or, The Whale
Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer
Source: Instructions to his Son and to Posterity (published 1632), Chapter II
Johann Gottlieb Fichte (1762–1814) German philosopher
Source: The Way Towards The Blessed Life or the Doctrine of Religion 1806, P. 3
P. D. Ouspensky book Tertium Organum
Tertium Organum (1922)
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world.
In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.
Percy Bysshe Shelley (1792–1822) English Romantic poet
St. 7
Hymn to Intellectual Beauty (1816)
Context: The day becomes more solemn and serene
When noon is past; there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm, to one who worships thee,
And every form containing thee,
Whom, SPIRIT fair, thy spells did bind
To fear himself, and love all human kind.