“We see the beauty within and cannot say no.”

Source: Annihilation

Japan, the Beautiful and Myself (1969)
Context: Dr. Yashiro Yukio, internationally known as a scholar of Botticelli, a man of great learning in the art of the past and the present, of the East and the West, has summed up one of the special characteristics of Japanese art in a single poetic sentence: "The time of the snows, of the moon, of the blossoms — then more than ever we think of our comrades." When we see the beauty of the snow, when we see the beauty of the full moon, when we see the beauty of the cherries in bloom, when in short we brush against and are awakened by the beauty of the four seasons, it is then that we think most of those close to us, and want them to share the pleasure. The excitement of beauty calls forth strong fellow feelings, yearnings for companionship, and the word "comrade" can be taken to mean "human being". The snow, the moon, the blossoms, words expressive of the seasons as they move one into another, include in the Japanese tradition the beauty of mountains and rivers and grasses and trees, of all the myriad manifestations of nature, of human feelings as well.

quoted by Addison Anderson in a TED-Ed lesson. https://ed.ted.com/lessons/the-most-groundbreaking-scientist-you-ve-never-heard-of-addison-anderson

"The Great Explosion" in the posthumous publication The Beginning and the End (1973)
Context: He is no God of love, no justice of a little city like
Dante's Florence, no anthropoid God
Making commandments: this is the God who does not
care and will never cease. Look at the seas there
Flashing against this rock in the darkness — look at the
tide-stream stars — and the fall of nations — and dawn
Wandering with wet white feet down the Carmel Valley
to meet the sea. These are real and we see their beauty.
The great explosion is probably only a metaphor — I know
not — of faceless violence, the root of all things.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 113.

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)
Context: Beauty is the maximum limit we can access through language. We cannot reach the truth, but we can get close to it through beauty.

Projection
One Minute Wisdom (1989)

The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: The integral vision, I believe, is more than happy to welcome empirical science as a part — a very important part — of the endeavor to befriend the Kosmos, to be attuned to its many moods and flavors and facets and forms. But a more integral psychology goes beyond that... With science we touch the True, the "It" of Spirit. With morals we touch the Good, the "We" of Spirit. What, then, would an integral approach have to say about the Beautiful, the "I" of Spirit itself? What is the Beauty that is in the eye of the Beholder? When we are in the eye of Spirit, the I of Spirit, what do we finally see?

Source: Aphorisms and Reflections (1901), p. 158