“One day I was speeding along at the typewriter, and my daughter - who was a child at the time - asked me, "Daddy, why are you writing so fast?" And I replied, "Because I want to see how the story turns out!”

Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "One day I was speeding along at the typewriter, and my daughter - who was a child at the time - asked me, "Daddy, why a…" by Louis L'Amour?
Louis L'Amour photo
Louis L'Amour 65
Novelist, short story writer 1908–1988

Related quotes

Zlatan Ibrahimović photo

“I want you to still write a lot of stories so I get excited when I see them, Because I want to see who is making up the best story and when I'm tired of it I will let you know where I will go.”

Zlatan Ibrahimović (1981) Swedish association football player

Talking about rumours where will he go http://www.telegraph.co.uk/football/2016/06/01/zlatan-ibrahimovic-keeps-man-utd-guessing-by-saying-he-is-excite/
Attributed

Ray Bradbury photo

“That one story taught me how to read and write because I looked at the picture of that beautiful beast, but I so desperately wanted to read about him too.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)
Context: Our education system has gone to hell. It’s my idea from now on to stop spending money educating children who are sixteen years old. We should put all that money down into kindergarten. Young children have to be taught how to read and write. If children went into the first grade knowing how to read and write, we’d be set for the future, wouldn’t we? We must not let them go into the fourth and fifth grades not knowing how to read. So we must put out books with educational pictures, or use comics to teach children how to read. When I was five years old, my aunt gave me a copy of a book of wonderful fairy tales called Once Upon a Time, and the first fairy tale in the book is “Beauty and the Beast.” That one story taught me how to read and write because I looked at the picture of that beautiful beast, but I so desperately wanted to read about him too.

Langston Hughes photo

“Daddy, daddy, daddy,
All I want is you.
You can have me, baby —
but my lovin’ days is through.
A certain amount
of impotence
in a dream deferred.”

Langston Hughes (1902–1967) American writer and social activist

"Same in Blues"
Montage of a Dream Deferred (1951)

William F. Buckley Jr. photo

“I am, I fully grant, a phenomenon, but not because of any speed in composition. I asked myself the other day, "Who else, on so many issues, has been so right so much of the time?"”

William F. Buckley Jr. (1925–2008) American conservative author and commentator

I couldn't think of anyone.
"On Writing Speedily", first published in The New York Times Book Review (1986); republished in Miles Gone By : A Literary Autobiography (2004), p. 405.

Ernest Hemingway photo
Edwidge Danticat photo

“In some of the earlier work, I liked to keep readers guessing: one story asked a question, and another resolved it. For the stories I’m working on now—both the new ones and the older ones I’m revisiting—I want to wring everything out. That way, I don’t have to write separate stories for every character who surprises me.”

Edwidge Danticat (1969) Novelist, short story writer, memoirist

On how her short story writing style has evolved in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018)
Interviews

Philip Roth photo
Orhan Pamuk photo

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Mikhail Baryshnikov photo

“You ask me what's happened in my life, why and how I did this and that. And I think and tell, but it's never true story, because everything is so much more complicated, and also I can't even remember how things happened. Whole process is boring. Also false, but mostly boring.”

Mikhail Baryshnikov (1948) Soviet-American dancer, choreographer, and actor born in Letonia, Soviet Union

As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.

Related topics