“I inhabit the wax image of myself, a doll's body. Sickness begins here; I am a dartboard for witches.”

— Sylvia Plath

Last update June 3, 2021. History

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Sylvia Plath 342

American poet, novelist and short story writer 1932–1963

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Context: I am a witch, by which I mean that I am somebody who believes that the earth is sacred, and that women and women's bodies are one expression of that sacred being. My spirituality has always been linked to my feminism. Feminism is about challenging unequal power structures. So, it also means challenging inequalities in race, class, sexual preference. What we need to be doing is not just changing who holds power, but changing the way we conceive of power. There is the power we're all familiar with — power over. But there is another kind of power — power from within. For a woman, it is the power to be fertile either in terms of having babies or writing books or dancing or baking bread or being a great organizer. It is the kind of power that doesn't depend on depriving someone else.

“Always do what you're afraid to do.
…
I will prove myself strong when they think I am sick.
I will prove myself brave when they think I am weak.”

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Variant: I will prove myself strong when they think I am sick. I will prove myself brave when they think I am weak -Cady Sinclair
Source: We Were Liars

“Here in the hospital, I say,
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“I am for neither West nor East, but for myself considered as a self — one of the millions who inhabit the earth…”

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Context: I am for neither West nor East, but for myself considered as a self — one of the millions who inhabit the earth... If it seems absurd that an individual should set up as a judge between these vast powers, armed with their superhuman instruments of destruction I can reply that the very immensity of the means to destroy proves that judging and being judged does not lie in these forces. For supposing that they achieved their utmost and destroyed our civilization, whoever survived would judge them by a few statements. a few poems, a few témoignages [testimonies] surviving from all the ruins, a few words of those men who saw outside and beyond the means which were used and all the arguments which were marshaled in the service of those means.
Thus I could not escape from myself into some social situation of which my existence was a mere product, and my witnessing a willfully distorting instrument. I had to be myself, choose and not be chosen... But to believe that my individual freedom could gain strength from my seeking to identify myself with the "progressive" forces was different from believing that my life must be an instrument of means decided on by political leaders. I came to see that within the struggle for a juster world, there is a further struggle between the individual who cares for long-term values and those who are willing to use any and every means to gain immediate political ends — even good ends. Within even a good social cause, there is a duty to fight for the pre-eminence of individual conscience. The public is necessary, but the private must not be abolished by it; and the individual must not be swallowed up by the concept of the social man.

“But our home's been nothing but a playpen. I've been your doll-wife here, just as at home I was Papa's doll-child.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Nora Helmer, Act III
Variant translation: Our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them. That is what our marriage has been, Torvald.
A Doll's House (1879)
Context: But our home's been nothing but a playpen. I've been your doll-wife here, just as at home I was Papa's doll-child. And in turn the children have been my dolls. I thought it fun when you played with me, just as they thought it fun when I played with them. That's been our marriage, Torvald.