Source: https://www.google.com/books/edition/Business_In_Simple_Language/aiXfDwAAQBAJ
Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty
Source: Extremely Loud and Incredibly Close (2005), p. 43
Quote of Nolde's letter to Hans Fehr, 1905; published in 'Aus Leben und Werkstatt Emil Noldes', 'Das Kunstblatt' no. 7 (1919), p. 208; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
Hans Fehr expressed in a letter to Nolde his concern about the 'recklessness' and 'licentiousness' of some prints by Nolde. Fehr published Nolde's response in 1919
1900 - 1920
[Ashley, Montagu, An Introduction to Physical Anthropology – Third Edition, 1977/2011, 456]
Source: The Republic of Wine (1992), Chapter Four, Section V
“Love and art do not embrace what is beautiful but what is made beautiful by this embrace.”
Beim Wort genommen (1955); as translated by Harry Zohn
“Not that it was beautiful, but that I found some order there.”
Source: To Bedlam and Part Way Back
Saul Leiter: The Quiet Iconoclast (2009)
Context: I never thought of the urban environment as isolating. I leave these speculations to others. It’s quite possible that my work represents a search for beauty in the most prosaic and ordinary places. One doesn’t have to be in some faraway dreamland in order to find beauty. I realize that the search for beauty is not highly popular these days. Agony, misery and wretchedness, now these are worth perusing.
