
“The freedom of poetic license.”
Suggested to be from Pro Publio Sestio (sec. 6: "...my attacking those men with some freedom of expression..."
Disputed
Source: Istanbul: Memories and the City
“The freedom of poetic license.”
Suggested to be from Pro Publio Sestio (sec. 6: "...my attacking those men with some freedom of expression..."
Disputed
“I always had understood that dying of love was mere poetic license.”
Source: Memories of My Melancholy Whores
The Spirit of Liberty: Papers and Addresses (1952), p. 9.
Extra-judicial writings
1920s, Whose Country Is This? (1921)
Context: It would not be unjust to ask of every alien: What will you contribute to the common good, once you are admitted through the gates of liberty? Our history is full of answers of which we might be justly proud. But of late, the answers have not been so readily or so eloquently given. Our country must cease to be regarded as a dumping ground. Which does not mean that it must deny the value of rich accretions drawn from the right kind of immigration. Any such restriction, except as a necessary and momentary expediency, would assuredly paralyze our national vitality. But measured practically, it would be suicidal for us to let down the bars for the inflowing of cheap manhood, just as, commercially, it would be unsound for this country to allow her markets to be overflooded with cheap goods, the product of a cheap labor. There is no room either for the cheap man or the cheap goods.
“Freedom does not mean license.”
1919
as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 440
1908 - 1920, On Mystery and Creation, Paris 1913
Fox & Friends Weekend, Aug 6, 2017, responding to Congresswoman Maxine Waters