“An empty shell. Those were the first words that sprang to mind….. Something incredibly important -.. - had disappeared from Miu for good. Leaving behind not life, but its absence”
Source: Sputnik Sweetheart
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Haruki Murakami 655
Japanese author, novelist 1949Related quotes
On “consumeristic appetite for interviews,” New York Times (17 August 1986)
The Basic Teachings - Part 2: Application of the Teaching (2009)
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Source: From Serfdom to Socialism (1907), p. 11
Introduction to Chivalry (1921) by James Branch Cabell, later published in Prometheans : Ancient and Modern (1933), p. 279
Context: It is true, of course, that like the fruit of the tree of life, Mr. Cabell's artistic progeny sprang from a first conceptual germ — "In the beginning was the Word." That animating idea is the assumption that if life may be said to have an aim it must be an aim to terminate in success and splendor. It postulates the high, fine importance of excess, the choice or discovery of an overwhelming impulse in life and a conscientious dedication to its fullest realization. It is the quality and intensity of the dream only which raises men above the biological norm; and it is fidelity to the dream which differentiates the exceptional figure, the man of heroic stature, from the muddling, aimless mediocrities about him. What the dream is, matters not at all — it may be a dream of sainthood, kingship, love, art, asceticism or sensual pleasure — so long as it is fully expressed with all the resources of self. It is this sort of completion which Mr. Cabell has elected to depict in all his work: the complete sensualist in Demetrios, the complete phrase-maker in Felix Kennaston, the complete poet in Marlowe, the complete lover in Perion. In each he has shown that this complete self-expression is achieved at the expense of all other possible selves, and that herein lies the tragedy of the ideal. Perfection is a costly flower and is cultured only by an uncompromising, strict husbandry.
Quoted as the opening passage of "BOOK ONE: The Functions of Language" in Language in Thought and Action (1949) by S. I. Hayakawa, p. 3
Words and Their Meanings (1940)
Context: A great deal of attention has been paid … to the technical languages in which men of science do their specialized thinking … But the colloquial usages of everyday speech, the literary and philosophical dialects in which men do their thinking about the problems of morals, politics, religion and psychology — these have been strangely neglected. We talk about "mere matters of words" in a tone which implies that we regard words as things beneath the notice of a serious-minded person.
This is a most unfortunate attitude. For the fact is that words play an enormous part in our lives and are therefore deserving of the closest study. The old idea that words possess magical powers is false; but its falsity is the distortion of a very important truth. Words do have a magical effect — but not in the way that magicians supposed, and not on the objects they were trying to influence. Words are magical in the way they affect the minds of those who use them. "A mere matter of words," we say contemptuously, forgetting that words have power to mould men's thinking, to canalize their feeling, to direct their willing and acting. Conduct and character are largely determined by the nature of the words we currently use to discuss ourselves and the world around us.
