“The news of life is carried via telephone. A baby's birth, a couple engaged, a tragic car accident on a late night highway - most milestones of the human journey, good or bad, are foreshadowed by the sound of a ringing.”

The Business of Life (1949)

Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.

Source: Howl: Original Draft Facsimile

From the introduction to the published script.
A Zed and Two Noughts

[Brother Theodore Complete Collection on Letterman, 1982-89, Don Giller, https://www.youtube.com/watch?v=kj5fVnHWUl4]

Source: Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life

On her book Baby Love in “'Can I survive having a baby? Will I lose myself ... ?'” https://www.theguardian.com/lifeandstyle/2007/may/26/familyandrelationships.family2 in The Guardian (2007 May 26)