“The small wisdom is like water in a glass:
clear, transparent, pure.
The great wisdom is like the water in the sea:
dark, mysterious, impenetrable.”

Volume II, part III, chapter V (1846).
Modern Painters (1843-1860)

Santorum: Marriage Is Like Water, Not Beer
2011-08-09
Think Progress LGBT
Think Progress
Igor
Volsky
http://thinkprogress.org/lgbt/2011/08/09/292121/santorum-marriage-is-like-water-not-beer/
2011-08-28

On how Apple is the largest developer for Microsoft Windows due to the popularity of its iTunes software, at the All Things Digital Conference 5 (30 May 2007) http://www.engadget.com/2007/05/30/steve-jobs-live-from-d-2007/, on stage with Bill Gates, Kara Swisher and Walter Mossberg.
2000s

Part III : The Mystic Ruby
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>Mystery: Time and Tide shall pass,
I am the Wisdom Looking-Glass.This is the Ruby none can touch:
Many have loved it overmuch;
Its fathomless fires flutter and sigh,
Being as images of the flame
That shall make earth and heaven the same
When the fire of the end reddens the sky,
And the world consumes like a burning pall,
Till where there is nothing, there is all.</p

Go Rin No Sho (1645)
Context: Second is the Water book. With water as the basis, the spirit becomes like water. Water adopts the shape of its receptacle, it is sometimes a trickle and sometimes a wild sea. … If you master the principles of sword-fencing, when you freely beat one man, you beat any man in the world. The spirit of defeating a man is the same for ten million men. … The principle of strategy is having one thing, to know ten thousand things.

Rembrandt's 'recipe for a stopping-out varnish' on the verso of a drawing 'Landcape with a River and Trees', undated, c. 1654-55; (Benesch 1351) http://remdoc.huygens.knaw.nl/#/document/remdoc/e12886
It is evident that Rembrandt refers (alas fragmentarily) to a so-called 'stopping-out varnish', used to terminate the bite of acid in select areas of a plate that had already been exposed to the etching agent. Thus other portions will remain exposed to the acid to deepen the bite. Also Samuel van Hoogstraten, the first student of Rembrandt in Amsterdam, mentions the use of such a varnish in his 'Inleyding tot de Hooge Schoolde der Schilderkunst', Middelburg 1671 / Rotterdam 1678
1640 - 1670

Journey to the Centre of the Earth (Griffith and Farran, 1871), Ch. XVII: Vertical descent
This sentence, like many others in the Griffin and Farran translation of the book, has no source in the original French text.
Misattributed

in video Meet Peter Higgs by CERN (July 2004).

Source: The Sea Around Us (1951), Chapter 2, Page 27