“I speak only of myself since I do not wish to convince, I have no right to drag others into my river, I oblige no one to follow me and everybody practices his art in his own way."

- Tristan Tzara "Dada Manifesto 1918”

— Tristan Tzara

1910s, Dada Manifesto', 1918
Context: Dada; knowledge of all the means rejected up until now... Dada; abolition of logic, which is the dance of those impotent to create: Dada; of every social hierarchy and equation set up for the sake of values by our valets: Dada; every object, all objects, sentiments, obscurities, apparitions and the precise clash of parallel lines are weapons for the fight: Dada; abolition of memory: Dada; abolition of archaeology: Dada; abolition of prophets: Dada; abolition of the future: Dada; absolute and unquestionable faith in every god that is the immediate product of spontaneity:* Dada; elegant and unprejudiced leap from a harmony to the other sphere... Freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I speak only of myself since I do not wish to convince, I have no right to drag others into my river, I oblige no one t…" by Tristan Tzara?

Tristan Tzara19

Romanian and French avant-garde poet, essayist and performa… 1896–1963

Related quotes

“I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.”

Mark Z. Danielewski book House of Leaves

Source: House of Leaves

“I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want to know it and so I write for myself and strangers.”

Gertrude Stein book The Making of Americans

The Making of Americans (1925)

“I need a boy who thinks with his big head, not his little one. Since they do not exist, I have fashioned my own.”

Jennifer Donnelly book Revolution

Source: Revolution

“I began to reconcile myself to my forlorn condition, but still I was not what I wished to be: the worst of all was, I had no friend; not a human being that understood me. I wrote daily to my friend Leisewitz; he resided in Hanover, and was just as unhappy as myself, except that he had some friends, and plenty of money. In this respect I was differently situated, and although in want of money to buy books, I was determined not to be any expense to my father. Some watches, snuff-boxes, and rings, presents I had received in Gottingen, soon found their way to the hands of Jews at half price. I was even, against my will, driven to the necessity of accepting small fees from mechanics and peasants. This cut me to the heart; but I could not help myself. The following circumstance, however, overcame me more than all: My father was a man of great knowledge and experience, but, like all old men, he remained faithful to the old method of practice. I visited many of his patients, and without telling me exactly what mode of treatment I was to pursue, he only observed, "You will act so and sohowever, I saw the patients had confidence in my father only, and not in me; they wished me to be his tool, and I therefore followed his mode of practice, and thus lost several of his patients, who could have been saved had I followed my own method.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

“Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen... I doubt whether I would have done what I have done... I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?”

John Cage (1912–1992) American avant-garde composer

Quote in 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, x/SILENCE
1960s

“I cannot teach my art, nor the art of any school whatever, since I deny that art can be taught, or, in other words, I maintain that art is completely individual, and is, for each artist, nothing but the talent issuing from his own inspiration and his own studies of tradition.”

Gustave Courbet (1819–1877) French painter

1860s, Realist Manifesto' - an open letter, 1861

“"Cheerfully and gratefully I lay myself and all I am or own at the feet of Him who redeemed me with His precious blood, engaging to follow Him, bearing the cross He lays upon me." This is the least I can do, and I do it while my heart lies broken and bleeding at His feet.”

Elizabeth Prentiss (1818–1878) American musician, hymnwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 543.

“I think art has a right—not an obligation—to be difficult if it wishes. And, since people generally go on from this to talk about elitism versus democracy, I would add that genuinely difficult art is truly democratic.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

“I wish, as well as everybody else, to be perfectly happy; but, like everybody else, it must be in my own way.”

Jane Austen book Sense and Sensibility

Source: Sense and Sensibility

“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions... I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”

Richard Huelsenbeck (1892–1974) German poet

Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)

“I speak only of myself since I do not wish to convince, I have no right to drag others into my river, I oblige no one to follow me and everybody practices his art in his own way."- Tristan Tzara "Dada Manifesto 1918”

Help us to complete the source, original and additional information

Tristan Tzara19

Related quotes

Related topics

“I speak only of myself since I do not wish to convince, I have no right to drag others into my river, I oblige no one to follow me and everybody practices his art in his own way."

- Tristan Tzara "Dada Manifesto 1918”