
Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. II, Reason in Society, Ch. IV: The Aristocratic Ideal
Source: Beyond Good and Evil
Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. II, Reason in Society, Ch. IV: The Aristocratic Ideal
Source: Modern thinkers and present problems, (1923), p. 37: Chapter 2. Benedict de Spinoza, 1632-1677
Complete Prose Works (1892), III. Notes Left Over 3. Ventures, on an Old Theme, p.324 http://books.google.com/books?id=UJA1AAAAMAAJ&pg=PA324
Context: If the United States haven't grown poets, on any scale of grandeur, it is certain that they import, print, and read more poetry than any equal number of people elsewhere — probably more than the rest of the world combined.
Poetry (like a grand personality) is a growth of many generations — many rare combinations.
To have great poets, there must be great audiences too.
Source: My Double Life (1907), Ch. 33 <!-- p. 369 -->
Context: Life is short, even for those who live a long time, and we must live for the few who know and appreciate us, who judge and absolve us, and for whom we have the same affection and indulgence. The rest I look upon as a mere crowd, lively or sad, loyal or corrupt, from whom there is nothing to be expected but fleeting emotions, either pleasant or unpleasant, which leave no trace behind them. We ought to hate very rarely, as it is too fatiguing; remain indifferent to a great deal, forgive often and never forget.
“Rarely do great beauty and great virtue dwell together.”
De remediis utriusque fortunae (1354), Book II
Trumpism is here to stay: America’s neo-fascist fever dream has only just begun (2016)
“So many lovely things, so rare, so young,
A day begat them, and a day will end.”
Tot species, tantosque ortus variosque novatus<br/>una dies aperit, conficit ipsa dies.
Tot species, tantosque ortus variosque novatus
una dies aperit, conficit ipsa dies.
"De Rosis Nascentibus", line 39; translation from Helen Waddell Mediaeval Latin Lyrics ([1929] 1943) p. 29.
This poem used to be misattributed to Virgil, but is now usually ascribed to Ausonius.