“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.”
"A Personal Credo" (1943), published in American Annual of Photography (1944), reprinted in Nathan Lyons, editor, Photographers on Photography (1966), reprinted in Vicki Goldberg, editor, Photography in Print: Writings from 1816 to the Present (1988)
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Ansel Adams 29
American photographer and environmentalist 1902–1984Related quotes

As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.

Ecrits pour l'art, ed. Henrietta Galle Paris 1908/Marseille (1980).

The Tragic Sense of Life (1913), VI : In the Depths of the Abyss
Context: Yes, I know well that others before me have felt what I feel and express; that many others feel it today, although they keep silence about it.... And I do not keep silence about it because it is for many the thing which must not be spoken, the abomination of abominations — infandum — and I believe that it is necessary now and again to speak the thing which must not be spoken.... Even if it should lead only to irritating the devotees of progress, those who believe that truth is consolation, it would lead to not a little. To irritating them and making them say: "Poor fellow! if he would only use his intelligence to better purpose!... Someone perhaps will add that I do not know what I say, to which I shall reply that perhaps he may be right — and being right is such a little thing! — but that I feel what I say and I know what I feel and that suffices me. And that it is better to be lacking in reason than to have too much of it.

Source: The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening

“It is better not to express what one means than to express what one does not mean.”
Half-Truths and One-And-A-Half Truths (1976)