Source: To Bless the Space Between Us: A Book of Blessings
Source: Man Against Mass Society (1952), p. 25
“Creativity is an integral part of our personality.”
Vetulani, Jerzy (6 December 2009): W każdym z nas tkwi mr Hyde https://nto.pl/profesor-jerzy-vetulani-w-kazdym-z-nas-tkwi-mr-hyde/ar/4135849, interview. Nowa Trybuna Opolska (in Polish).
Regarding his ancestry influencing his work; as quoted in "Americymru" http://americymru.blogspot.com/2010/08/interview-with-lorin-morgan-richards.html "An Interview With Lorin Morgan-Richards” (25 August 2010).
"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.
“Our creative habits are as mysterious to each other as our domestic habits.”
Poetry Quotes
Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph
Source: The Life of Poetry (1949), p. 169; part of this statement is also used in the "Introduction"
Context: In time of the crises of the spirit, we are aware of all of need, our need for each other and our need for ourselves. We call up our fullness; we turn, and act. We begin to be aware of correspondences, of the acknowledgement in us of necessity, and of the lands.
And poetry, among all this — where is there a place for poetry?
If poetry as it comes to us through action were all we had, it would be very much. For the dense and crucial moments, spoken under the stress of realization, full-bodied and compelling in their imagery, arrive with music, with our many kinds of theatre, and in the great prose. If we had these only, we would be open to the same influences, however diluted and applied. For these ways in which poetry reaches past the barriers set up by our culture, reaching toward those who refuse it in essential presence, are various, many-meaning, and certainly — in this period — more acceptable. They stand in the same relation to poetry as applied science to pure science.
1960s, Nobel Prize acceptance speech (1964)
Context: This faith can give us courage to face the uncertainties of the future. It will give our tired feet new strength as we continue our forward stride toward the city of freedom. When our days become dreary with low-hovering clouds and our nights become darker than a thousand midnights, we will know that we are living in the creative turmoil of a genuine civilization struggling to be born.
