
On his role in The Producers — reported in Amy Longsdorf (December 25, 2005) "Lane, Broderick play off each other", The Record, p. E01.
Source: The High Window (1942), chapter 36
Context: When I left, Merle was wearing a bungalow apron and rolling pie-crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty until her mother came into the space with a broad homely smile on her face to watch me drive away.
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.
On his role in The Producers — reported in Amy Longsdorf (December 25, 2005) "Lane, Broderick play off each other", The Record, p. E01.
9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', pp. 66-67
Cemetery World (1973)
Context: The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
“But if I had someone I would do anything and never never never never let you feel alone.”
Wonderful World
Song lyrics, Undiscovered (James Morrison album) (2006)
“Lying next to Eliza, I had the feeling I had I'd just found something I didn't even know I'd lost.”
Source: How to Kill a Rock Star
On how his viewpoint of his parents changed after the advent of César Chávez (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)