
as model for his painting 'Morning', 1884
Quote in Munch's letter to Olav Paulsen, September 1884; as cited in Edvard Much – behind the scream, w:Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 53
1880 - 1895
as model for his painting 'Morning', 1884
Quote in Munch's letter to Olav Paulsen, September 1884; as cited in Edvard Much – behind the scream, w:Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 53
1880 - 1895
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 18 : 'Notes from 1969'
Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
after 1970
“Come my sovereign queen often;
My blue skies will then be bluest;
My white rose be whitest then:”
"Juanita".
In Classic Shades, and Other Poems (1890)
Context: p>O, the sea of lights for streaming
When the thousand flags are furled—
When the gleaming bay lies dreaming
As it duplicates the world!You will come my dearest, truest!
Come my sovereign queen often;
My blue skies will then be bluest;
My white rose be whitest then:Then the song! Ah, then the sabre
Flashing up the walls of night!
Hate of wrong and love of neighbor
Rhymes of battle for the Right!</p
“I imagine a line, a white line, painted on the sand and on the ocean, from me to you.”
Source: Everything Is Illuminated
Interviews
Source: On how she once perceived fiction in “NK Jemisin: 'It’s easier to get a book set in black Africa published if you're white'” https://www.theguardian.com/books/2020/may/02/nk-jemisin-its-easier-to-get-a-book-set-in-black-africa-published-if-youre-white in The Guardian (2020 May 2)
“All the pictures on the walls, they all white as lilies and smiling like alligators.”
Source: Living Dead in Dallas