“But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.”

“Why was man created before woman? Because you always need a rough draft before the final copy.” – Chloe Traeger”

“A branch of physics that I was working in for many years has lately become much less active. Many problems have been solved and others are so difficult that nobody knows what to do about them. This means that I do much less physics today than 15 years ago. By contrast, fractal tools have plenty to do. There is a joke that your hammer will always find nails to hit. I find that perfectly acceptable. The hammer I crafted is the first effective tool for all kinds of roughness and nobody will deny that there is at last some roughness everywhere.”

“Elsdon was once a market town as some say, and a city according to others; but as the annals of the parish were lost several centuries ago, it is impossible to determine what age it was either the one or the other. There are not the least traces of the former grandeur to be found, whence some antiquaries are apt to believe that it lost both its trade and charter at the Deluge.”

“We have an invisible enemy. We have a problem a month ago nobody ever thought about. [...] This is a bad one, this is a very bad one. This is bad in the sense that it's so contagious. It's just so contagious. Sort of record-setting type contagion.”

“Turns out it was another load of monkeys from another part of the island…from the rough bit…”

“The idea that I can be presented with a problem, set out to logically solve it with the tools at hand, and wind up with a program that could not be legally used because someone else followed the same logical steps some years ago and filed for a patent on it is horrifying.”

“As far as “plot” goes, as I get older I more and more suspect that “plot” is really being used, in the many incarnations of this argument, as a placeholder for a whole cloud of qualities found (or not found) in certain narratives, some of which actually constitute “plot” and many of which do not. What first led me to suspect this is the fact that many of the sternest exponents of “I want novels to have plots, dammit” are also demonstrably fans of, for instance, quite a few Robert A. Heinlein novels whose plots can barely be detected even by advanced scientific equipment. (Not just later Heinlein, either; go back and look at Beyond This Horizon). As it happens, I like some of those books, too, and what I learn from them, and from thousands of other books, is that what matters isn’t the presence of a carefully-engineered, structurally sound “plot.” What matters is whether a book entrances us into reading it or forces us to decode it — and “plot” is just one of several methods of getting us into the reading trance. It’s a good method. It’s not the only one.”

“The problem isn’t that we don’t know how not to get punched in the face. The problem is that, at some point, likely a long time ago, we got punched in the face, and instead of punching back, we decided we deserved it.”

“I came home one night, some month ago, and I went to the closet in my bedroom… and a moth ate my sports jacket.
He was laying on the floor, nauseous, y'know.”