“And this is for Colored girls who have considered suicide, but are moving to the ends of their own rainbows.”

Source: Dreamfever

Source: Billy Budd, the Sailor (1891), Ch. 21
Source: Billy Budd, Sailor
Context: Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity. In pronounced cases there is no question about them. But in some supposed cases, in various degrees supposedly less pronounced, to draw the exact line of demarcation few will undertake tho' for a fee some professional experts will. There is nothing nameable but that some men will undertake to do it for pay.

Live version
Flowers are Red
Song lyrics, Living Room Suite (1978)

Flowers are Red
Song lyrics, Living Room Suite (1978)

Sermon in Tromsö, Norway (5 December 1991)

The Spectrum of Consciousness (1993), Prologue, p. 6
Context: An argument can be legitimately sustained only if the participants are speaking about the same level. Argumentation would — for the most part — be replaced with something akin to Niels Bohr's principle of complementarity. Information from and about the different vibratory levels of bands of consciousness — although superficially as different as X-Rays and radio waves — would be integrated and synthesized into one spectrum, one rainbow. … Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it. In this type of synthesis, no approach, be it Eastern or Western, has anything to lose — rather, they all gain a universal context.

Source: Galileo's Dream (2009), Ch. 15, p. 354

Between the Bridge and the River (2006)