
“He disliked emotion, not because he felt lightly, but because he felt deeply.”
Pilgrim's Way (1940), p. 58
Memory Hold-The-Door (1940)
Source: Running with Scissors
“He disliked emotion, not because he felt lightly, but because he felt deeply.”
Pilgrim's Way (1940), p. 58
Memory Hold-The-Door (1940)
Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are
Told to Jeffrey Moussaieff Masson, as quoted in Jeffrey Moussaieff Masson, The Face on Your Plate: The Truth About Food (New York: Norton & Company, 2009. ISBN 978-0-393-06595-4), Introduction, p. 15 https://books.google.it/books?id=-LeUV2wr2BoC&pg=PA15.
Part 5: "The World of One Physicist", "But Is It Art?", p. 261
Surely You're Joking, Mr. Feynman! (1985)
Context: I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
“It was his general plan to repress emotion by not showing the sympathy he felt.”
Wives and Daughters, ch. 11
Wives and Daughters