Entry (1977)
Eric Hoffer and the Art of the Notebook (2005)
Context: Disraeli felt that "nothing could compensate his obscure youth, not even a glorious old age." Practically all writers and artists are aware of their destiny and see themselves as actors in a fateful drama. With me, nothing is momentous: obscure youth, glorious old age, fateful coincidences — nothing really matters. I have written a number of good sentences. I have kept free of delusions. I know I am going to die soon.
“As I walk, I construct perfect sentences that I cannot remember later at home. I don’t know if the ineffable poetry of those sentences derived from what they were or from their never having been (written).”
Source: The Book of Disquiet
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Fernando Pessoa 288
Portuguese poet, writer, literary critic, translator, publi… 1888–1935Related quotes
Manuscript note, quoted at The Eric Hoffer Award official site http://www.hofferaward.com/
“I encourage people to remember that "no" is a complete sentence.”
Source: The Gift of Fear: Survival Signals That Protect Us from Violence
“I know all those words, but that sentence makes no sense to me.”
“I was taught at school never to start a sentence without knowing the end of it.”
http://www-history.mcs.st-and.ac.uk/Printonly/Dirac.html
Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 33
On how he used artwork as a form of protest (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)