“For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue — that I had to do the job myself.”

Last update June 3, 2021. History

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Anaïs Nin278

writer of novels, short stories, and erotica 1903–1977

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“I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist.”

Nina Paley (1968) US animator, cartoonist and free culture activist

1h12m00s https://www.youtube.com/watch?v=M7mB_WlihQo#t=1h12m00s <br class="br">Nina Paley on: Sita Sings the Blues: The Ramayana and 'Free Culture' (2009) <br class="br">Context: Everyone wants me to make another movie and I'm like "Yeah, I'm doing quilts." Yeah, I have ideas. I have to be really, really obsessively moved. Like I have to have no other choice to do a project that takes that much time and it has to be a motivation other than just that I know that I will get approval for it. Much as I love approval, I mean it's extremely tempting. I want it. And I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist. So I'm not ruling out doing another film, but I'm only going to do it if I have no other choice, which was the case with Sita Sings the Blues.

“What do I really want to do, and what will help me continue to be creative, and what will lead me towards being the artist that I want to be in the end.”

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“I didn't want to be a woman artist, I just wanted to be an artist.”

Isabel Bishop (1902–1988) American painter

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“There are definitely people I respect and I love their music, but there was never really an artist that I said, "I want to be just like them, I love the way their career is going. I love their music." It wasn't really like that. I wanted to be like myself.”

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“Every so often, every artist feels: 'I'll never paint again. The muse has gone out the window.' In 1985 I hardly painted at all for three months, and it was agonizing. I looked at reproductions. I stared at Matisse. I stared at the Old Masters. I stared at the Quattrocento. And I thought to myself - Don't push it! If you try too hard to get at something, you almost push it away.”

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“I am my own muse. I am the subject I know best. The subject I want to better.”

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“Perhaps I was too dumb, or just too interested in cricket or in girls, to ask myself any questions about religion. If I had not been, I might have, inevitably, asked myself questions that have troubled skeptics and unbelievers for as long as men and women have been skeptical or have lacked belief. "Is there really no God? And if there really is no supernatural dimension to the universe, why have so many people throughout history and in so many different cultures thought there was?"”

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“At stake was not only a serious and viable artistic career as a woman, but the development of a subjectivity that was being defined through the self-portrait. conscious of being both muse and maker, Sher-Gil took on the position of artist and object with a double consciousness of being both.”

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Above two quotes by art historian Rakhee Balaram in the self in making AMRITA SHER-GIL, 7 December 2013, Kiran Nadar Museum of Arts. http://knma.in/exhibition/self-making-amrita-sher-gil-0.,

“For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue — that I had to do the job myself.”

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Anaïs Nin278

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