“No poem is intended for the reader, no picture for the beholder, no symphony for the listener.”

Source: Illuminations: Essays and Reflections

Last update June 3, 2021. History

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Walter Benjamin 70
German literary critic, philosopher and social critic (1892… 1892–1940

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“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

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“For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.”

"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p

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“Look, see, behold. Above all, listen.”

Ch 3 - p.68
Novels, Midwinter Break (2017)

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“Reader, look,
Not at his picture, but his book.”

Ben Jonson (1572–1637) English writer

To the Reader [On the portrait of Shakespeare prefixed to the First Folio] (1618), lines 9-10

“My picture-poems are linguistic margins on visual atolls.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 250 (2003)

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