
The Thread of Truth http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/misc/threadtruth.html (1839).
Source: The Book of Tea
The Thread of Truth http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/misc/threadtruth.html (1839).
Source: The Monkey Grammarian (1974), Ch. 4
Context: Since movement is a metaphor for change, the best thing will be to say: nonchange is (always) change. It would appear that I have finally arrived at the desired disequilibrium. Nonetheless, change is not the primordial, original word that I am searching for: it is a form of becoming. When becoming is substituted for change, the relation between the two terms is altered, so that I am obliged to replace nonchange by permanence, which is a metaphor for fixity, as becoming is for coming-to-be, which in turn is a metaphor for time in all its ceaseless transformations…. There is no beginning, no original word: each one is a metaphor for another word which is a metaphor for yet another, and so on. All of them are translations of translations. A transparency in which the obverse is the reverse: fixity is always momentary.
I begin all over again: if it does not make sense to say that fixity is always momentary, the same may not be true if I say that it never is.
“It is only logical for the translator to become a part of the world of the author.”
As quoted in "From Bach to Kafka, or... about temptation - An interview by Emil Bassat http://darl.eu/intervie/84_05_30.htm" in Sofia News (30 May 1984).
Quote of Richter on his 'Grey Paintings', in a letter to nl:Edy de Wilde, 23 February 1975; as cited on collected quotes on the website of Gerhard Richter: on 'Grey-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/grey-paintings-9
1970's
Variant: It [grey color] makes no statement whatever... It has the capacity that no other color has, to make 'nothing' visible. To me grey is the welcome and only possible equivalent for indifference, non-commitment, absence of opinion, absence of shape (note 99).... but, grey like formlessness and the rest, can be real only as an idea.... The painting is then a mixture of grey as a fiction and grey as a visible, designated area of color.
“Destiny can contain a few extra threads in her design and still accomplish her original aims.”
Book 3, Chapter 4 “Two Black Swords” (p. 114)
The Elric Cycle, Elric of Melniboné (1972)
Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001
Source: Montcalm and Wolfe http://www.gutenberg.org/files/14517/14517-8.txt (1884), Ch. 1