Source: Tuck Everlasting
Alex Lightwood, Simon Lewis, and the Seelie Queen, pg. 353-354
Source: The Mortal Instruments, City of Heavenly Fire (2014)
Context: There,' he said, pointing to the leafy tunnel. 'That goes farther into Faerie. And that'--he pointed ahead--'is the road to Hell. That's where we're going.'
'I always heard it was paved with good intentions,' said Simon.
'Place your feet upon the way and find out, Daylighter,' said the Queen.
Sarkis an old Greek Shepherd, called the madman: Jesus and Pan
Jesus, The Son of Man (1928)
Context: "And now let us play our reeds together."
And they played together.
And their music smote heaven and earth, and a terror struck all living things.
I heard the bellow of beasts and the hunger of the forest. And I heard the cry of lonely men, and the plaint of those who long for what they know not.
I heard the sighing of the maiden for her lover, and the panting of the luckless hunter for his prey.
And then there came peace into their music, and the heavens and the earth sang together.
All this I saw in my dream, and all this I heard.
Sun Stone (1957)
Context: I want to go on, to go beyond; I cannot;
the moment scatters itself in many things,
I have slept the dreams of the stone that never dreams
and deep among the dreams of years like stones
have heard the singing of my imprisoned blood,
with a premonition of light the sea sang,
and one by one the barriers give way,
all of the gates have fallen to decay,
the sun has forced an entrance through my forehead,
has opened my eyelids at last that were kept closed,
unfastened my being of its swaddling clothes,
has rooted me out of my self, and separated
me from my animal sleep centuries of stone
and the magic of reflections resurrects
willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
From the Hills of Dream, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Delusion for a Dragon Slayer (1966)
Context: "Heaven is what you mix all the days of your life, but you call it dreams. You have one chance to buy your Heaven with all the intents and ethics of your life. That is why everyone considers Heaven such a lovely place. Because it is dreams, special dreams, in which you exist. What you have to do is live up to them."
"I—" started Griffin, but the wizard cut him off with a blink.
"No, listen, please, because after this, all the magic stops, and you have to do it alone.
“You create your own Heaven, and you have the opportunity to live in it, but you have to do it on your own terms, the highest terms of which you are capable. So sail this ship through the straits, navigate the shoals, find the island, overcome the foam-devil that guards the girl, win her love, and you’ve played the game on your own terms."
Franny and Zooey (1961), Zooey (1957)
Song lyrics, The Dreaming (1982)
quoted in Hamm (1979). Yesterdays, p. 391.
Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. .
“Dream within a dream,
Our dream deferred.
Good morning, daddy!
Ain’t you heard?”
"Island"
Montage of a Dream Deferred (1951)
Variant: What happens
to a dream deferred?
Daddy, ain’t you heard?
The Phantom, song (1836); reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 201.
