“The world is quite ruthless in selecting between the dream and the reality, even where we will not.”

Source: Introduction to the New Existentialism (1966), p. 63
Context: A child might be overawed by a great city, but a civil engineer knows that he might demolish it and rebuild it himself. Husserl's philosophy has the same aim: to show us that, although we may have been thrust into this world without a 'by your leave,' we are mistaken to assume that it exists independently of us. It is true that reality exists apart from us; but what we mistake for the world is actually a world constituted by us, selected from an infinitely complex reality.

Inaugural address as President of Yale University (11 April 1964)

Some Notes on Caravaggio (1956)
Context: Caravaggio speaks to us out of a consciousness that is brooding and obsessive, and affects us in a way that is not simply artistic. By this I mean that he comes close to presenting us with a sensation of amorphous and desperate desire unredeemed by an authoritative vision. It can be felt in the apprehensive boredom of the unsuccessful pictures and in the oppressive intensity of the best. If this sensation were deep enough it might have destructive effects, since we all live within that margin of order which we succeed in imposing on life, i. e., on the unfulfilled longings of the heart, and his work might then be truly diabolic. His genius operates in that world of antithesis where the conflict between ideal and reality rages, and the moral victory, i. e., the ultimate affirmation of the goodness of life, is always so tenuously won that we feel the dread of chaos intensely- even when he is completely successful. If there could be such a contradictory phenomenon as the uninnocent artist he might be it. He indicates the sort of sensations we might expect from such a monster. But since he is wholly innocent beneath the apparent evidence of corruption he ends by moving us in a profound and religious way.

Paris Review Interview (1998)

The Crossing (1994)

Source: Notes On A Scandal

On her poem “Yume-Miru Kikai” in “41.2 Feature: An Interview with Sally Wen Mao” https://bwr.ua.edu/an-interview-with-poet-sally-wen-mao-from-issue-41-2/ in Black Warrior Review (2015 Mar 2)

The Novel of the Future (1969)