“Fiction film is really different from documentary in this aspect. It is less objective, because the director expresses a subjective point of view with the movie. I would like the movie to look like a documentary, look real.”

—  Zhang Yimou

"No one to be Missed" in Off Screen https://offscreen.com/view/zhang_yimou (April 1999)

Adopted from Wikiquote. Last update June 29, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Fiction film is really different from documentary in this aspect. It is less objective, because the director expresses …" by Zhang Yimou?
Zhang Yimou photo
Zhang Yimou5
Chinese actor, film director, screenwriter and film producer 1950

Related quotes

Alfred Hitchcock photo

“In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life.”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in Hitchcock (revised edition 1984) by François Truffaut with the collaboration of Helen G. Scott, p. 102.

George Lucas photo

“My primary concept in approaching the production of THX 1138 was to make a kind of cinema verité film of the future — something that would look like a documentary crew had made a film about some character in a time yet to come.”

George Lucas (1944) American film producer

American Cinematographer (October 1971)

Uwe Boll photo

“There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing.”

Uwe Boll (1965) German restaurateur and former filmmaker

2000s

Pauline Kael photo

“One’s moviegoing tastes and habits change — I still like in movies what I always liked but now, for example, I really want documentaries. After all the years of stale stupid acted-out stories, with less and less for me in them, I am desperate to know something, desperate for facts, for information, for faces of non-actors and for knowledge of how people live — for revelations, not for the little bits of show-business detail worked up for us by show-business minds who got them from the same movies we’re tired of.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Leni Riefenstahl photo

“This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will.”

Leni Riefenstahl (1902–2003) German film director, photographer, actress and dancer

On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210

Jenny Han photo

“It's not like in the movies. It's better, because it's real.”

Jenny Han book To All the Boys I've Loved Before

Source: To All the Boys I've Loved Before

Pauline Kael photo

“I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Roger Ebert photo

“Films like Fargo are why I love the movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fargo-1996 of Fargo (8 March 1996) <br class="br">Reviews, Four star reviews

Related topics