“When you’re working with a genre like romance, which is about something fundamental which connects all humans, it’s so important that we can allow everyone to see themselves in that story, and that wasn't necessarily there for me growing up.”

— Jonathan Bailey

"Jonathan Bailey: Jonathan Bailey is Redefining the Hollywood Heartthrob" on TIMEs Youtube Channel https://www.youtube.com/watch?v=oitewpYmQdY&ab_channel=TIME (13 May 2022)

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Jonathan Bailey 14

British actor 1988

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“The romance genre was all around us. There was love story pulps, and there was love story sections in the newspapers. There was love stories in the movies. Wherever you went there was love stories! That’s how we got our new material, and it suddenly struck me that that’s what we haven’t done. We haven’t done any romance stories!”

Jack Kirby (1917–1994) American comic book artist, writer and editor

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“It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind

“It will rightly be asked: What is the synthetic principle on which this obviously highly important product of y-methylcyclopentenophenanthrene is built up in nature, and why is it that this particular type which, as founda tion of many substances indispensable to life and of extreme physiological and biological importance, plays such a vital role in the vegetable and animal kingdoms? However, the time has not yet come when we can give an answer to questions so fundamental and so important to an understanding of the workings of Nature. But I am firmly convinced that this problem - like all others - will eventually be solved.”

Otto Diels (1876–1954) German chemist

"Description and Importance of the Aromatic Basic Skeleton of the Steroids" (Nobel Lecture), 1950.

“Sometimes I wonder if we shall ever grow up in our politics and say definite things which mean something, or whether we shall always go on using generalities to which everyone can subscribe, and which mean very little.”

Eleanor Roosevelt My Day

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My Day (1935–1962)

“The most important thing about me is that I am a Catholic. It's a superstructure within which you can work, like a sonnet.”

Jean Kerr (1922–2003) Irish-American author and playwright

Time magazine (April 14, 1961)

“I think I had been badly affected by.... the romance of Abstract Expressionism... particularly as it filtered out to places like Princeton and around the country, which was the idea of the 'artist as a terrifically sensitive ever-changing, ever ambitious person', particularly [described] in magazines like 'Art News' and 'Arts', which I read religiously.. I began to feel very strongly about finding a way that wasn't so wrapped up in the hullabaloo.... something that stable in a sense, something that wasn't constantly a record of your sensitivity, a record of flux.”

Frank Stella (1936) American artist

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“We still make of prime importance matters about which Jesus said nothing. How can a matter be fundamental in a religion when the founder of the religion never mentioned it?”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.31

“I do so many convention appearances and have a lot of face-to-face interaction with the fans. They tell me that they prefer seeing a live human being in a costume. Humans like to watch other humans, period, whether it’s in makeup or not. They can appreciate the artwork that goes into computer graphics—it’s an art form unto itself, getting better all the time—but there’s something connectable when you actually have a live person. The true fanboys actually want to connect with another person, that’s what I’m told. Me personally, as an audience member, I can appreciate the artistry of both types. When it’s completely rendered by an artist with no live performers involved, sometimes it can look like you’re watching a video game. That takes you out of the film for just a second. What I love about the medium is when they can be combined.”

Doug Jones (actor)

Doug Jones, Unmasked https://www.interviewmagazine.com/culture/doug-jones-falling-skies (July 30, 2013)

“For the first time in human history a child is born into a home in which television is on an average of about seven hours a day. In some countries a little more in some countries a little less, but in all industrial countries this is about the situation. And for the first time in human history most of the stories are told not by the parent, not by the school, not by the church, not by the tribe or the community, and in many places not even by the native country, but by a relatively small and shrinking group of global conglomerates who have something to sell. And it changes in a very fundamental way, the cultural climate, the cultural environment into which our children are born, in which they grow up, in which they become socialized, in which they become human beings.”

George Gerbner (1919–2005) American writer, freelancer and sociologist

The Killing Screens: Media and the Culture of Violence, Media Education Foundation (1994) Online transcript http://www.mediaed.org/assets/products/111/transcript_111.pdf

“And we all think that we’re very rational and very secular, but we make gods all the time. Everybody went apeshit when Barack Obama got elected. I was delighted. Everybody was thrilled: a sane, rational, intelligent human being in an important office. Great! But his biggest problem is everybody else! Is us! ‘Cause everybody’s in love with him! He stands up there - he’s very convincing and commanding and makes sense - he says: "It’s a difficult time, everyone needs to work together and be realistic about what we need to do..", and all that stuff - and everbody’s looking at him going: "NO! You do it! You’re SUPER JESUS. You’re so handsome when you’re serious. Do you work out?"”

Dylan Moran (1971) Irish actor and comedian

On Barack Obama
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“When you’re working with a genre like romance, which is about something fundamental which connects all humans, it’s so important that we can allow everyone to see themselves in that story, and that wasn't necessarily there for me growing up.”

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Jonathan Bailey 14

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