AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants
“I have no fans. You know what I got? Customers. And customers are your friends.”
Writers on Writing interview (1986)
Sex Slavery (1890)
Context: Why, when murder now is stalking in your streets, when dens of infamy are so thick within your city that competition has forced down the price of prostitution to the level of the wages of your starving shirt makers; when robbers sit in State and national Senate and House, when the boasted "bulwark of our liberties," the elective franchise, has become a U. S. dice-box, wherewith great gamblers play away your liberties; when debauchees of the worst type hold all your public offices and dine off the food of fools who support them, why, then, sits Moses Harman there within his prison cell? If he is so great a criminal, why is he not with the rest of the spawn of crime, dining at Delmonico's or enjoying a trip to Europe? If he is so bad a man, why in the name of wonder did he ever get in the penitentiary? … He looked, this obscenist looked with clear eyes into this ill-got thing you call morality, sealed with the seal of marriage, and saw in it the consummation of immorality, impurity, and injustice. He beheld every married woman what she is, a bonded slave, who takes her master's name, her master's bread, her master's commands, and serves her master's passion; who passes through the ordeal of pregnancy and the throes of travail at his dictation, not at her desire; who can control no property, not even her own body, without his consent, and from whose straining arms the children she bears may be torn at his pleasure, or willed away while they are yet unborn. It is said the English language has a sweeter word than any other, — home. But Moses Harman looked beneath the word and saw the fact, — a prison more horrible than that where he is sitting now, whose corridors radiate over all the earth, and with so many cells, that none may count them.
“I don't perform. Seals perform.”
From an interview with Russell Brand in December 2006, also quoted in the March 2007 issue of Uncut.
In interviews etc., About himself and his work
Lula da Silva (1975), Cited in: Emir Sader, Ken Silverstein (1991) Without Fear of Being Happy. p. 41
After being advised to stay in the United States when his brother was arrested in Brazil as a communist subversive.
The Complete Neurotic's Notebook (1981), Unclassified
“You got a lotta nerve to say you are my friend. When I was down, you just stood there grinning.”
Song lyrics, Highway 61 Revisited (1965), Positively 4th Street
We opened the Indica gallery with John Dunbar, Peter Asher and people like that. I heard about people like John Cage, and that he’d just performed a piece of music called 4’33” (which is completely silent) during which if someone in the audience coughed he would say, ‘See?’ Or someone would boo and he’d say, ‘See? It’s not silence—it’s music.’ I was intrigued by all of that. So these things started to be part of my life. I was listening to Stockhausen; one piece was all little plink-plonks and interesting ideas. Perhaps our audience wouldn’t mind a bit of change, we thought, and anyway, tough if they do! We only ever followed our own noses—most of the time, anyway. ‘Tomorrow Never Knows’ was one example of developing an idea.
The Beatles Anthology (2000), p. 212
"It Ain't For Me" (song)
Song lyrics
Source: Gilbert O'Sullivan, "It Ain't For Me" https://www.youtube.com/watch?v=tccchTER_nY (song on YouTube)
