“He introduced me to all the intellectuals at S. F. State and convinced me I should be a writer since I had so many fucking stories to tell. Little did he know I was scared shitless of all those guys with the tweed coats and fancy pipes.”
Source: Autobiography of a Brown Buffalo (1972), p. 100.
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Oscar Zeta Acosta 21
American attorney, politician, novelist and activist 1935–1974Related quotes
Press conference, reported in Jacob Bogage, " ‘I wanted to hit a couple of those speakers so hard', Trump says of Democratic convention https://www.washingtonpost.com/news/morning-mix/wp/2016/07/29/i-wanted-to-hit-a-couple-of-those-speakers-so-hard-trump-says-of-dem-convention-critics/", The Washington Post (July 29, 2016).
2010s, 2016, July
Source: Autobiography of a Brown Buffalo (1972), p. 100.
Context: Since I was about ten years younger than this crew of alcoholics, I just listened and filled their cups with cheap wine. After they’d had enough, I’d tell them of my escapades in Riverbank and in Panama where I’d worked with the Southern Baptist Convention and Jesus Christ to save the black souls of niggers, spics and Indians. I used to keep my eye on Harris when I told my stories. He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S. F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.
“I really like Septimus Heap. he is my favorite guy in the story. I should make you all read it.”
"The Shadowland of Dreams"', published in Chicken Soup for the Soul at Work (1996) by Jack Canfield, Mark Victor Hansen, Maida Rogerson, Martin Rutte and Tim Clauss; also in Alex Haley : The Man Who Traced America's Roots (2007), a collection of stories and essays by Haley published in Reader's Digest between 1954 to 1991.
Context: Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.