“Ahab makes a great impression on his first appearance in Moby Dick… And if either by birth or by circumstance something pathological was at work deep in his nature, this did not detract from his dramatic character. For tragic greatness always derives from a morbid break with health, you can be sure of that.”

"Notice sur Halphen," Journal de l'École Polytechnique (Paris, 1890), 60ème cahier, p. 143. See also Tobias Dantzig, Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954) p. 8
Context: A scientist worthy of the name, above all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.... we work not only to obtain the positive results which, according to the profane, constitute our one and only affection, as to experience this esthetic emotion and to convey it to others who are capable of experiencing it.

A Proper Gentleman, 1977

Source: The Self Awakened: Pragmatism Unbound (2007), p. 18

Le Marquis de Pombal, p. 377
Le marquis de Pombal (1869)

Robert Henri, open letter to the Art Students League, (1917-10-29).

Part III : Selection on Education from Kant's other Writings, Ch. I Pedagogical Fragments, # 14
The Educational Theory of Immanuel Kant (1904)
Context: Character means that the person derives his rules of conduct from himself and from the dignity of humanity. Character is the common ruling principle in man in the use of his talents and attributes. Thus it is the nature of his will, and is good or bad. A man who acts without settled principles, with no uniformity, has no character. A man may have a good heart and yet no character, because he is dependent upon impulses and does not act according to maxims. Firmness and unity of principle are essential to character.

The Pythagorean Diet: for the Use of the Medical Faculty

"The Strange Case of X", p. 196
City of Saints and Madmen (2001–2004)

1840s, Heroes and Hero-Worship (1840), The Hero as Poet