“If all human production (aesthetic or otherwise) has its documentary aspect (i. e., it can be associated, by a knowledgeable reader, with a time and place), does this endanger its aesthetic aspects per se? It is the richness of the pattern that is aesthetically at stake. How many art histories does it take to make us understand that reference (a use context) and historicity are not the same?”

— Samuel R. Delany , book Flight from Nevèrÿon

Section 8.55 (p. 241)
Flight from Nevèrÿon (1985)

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Samuel R. Delany 131

American author, professor and literary critic 1942

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