Cameron Country, broadcast on BBC TV, July 12, 1969.
“Computational reducibility may well be the exception rather than the rule: Most physical questions may be answerable only through irreducible amounts of computation. Those that concern idealized limits of infinite time, volume, or numerical precision can require arbitrarily long computations, and so be formally undecidable.”
[Undecidability and intractability in theoretical physics, Physical Review Letters, 54, 8, 1985, 735–738, 10.1103/PhysRevLett.54.735, https://www.stephenwolfram.com/publications/academic/undecidability-intractability-theoretical-physics.pdf]
Help us to complete the source, original and additional information
Stephen Wolfram 16
British-American computer scientist, mathematician, physici… 1959Related quotes

Stephen Wolfram: Fundamental Theory of Physics, Life, and the Universe (Sep 15, 2020)

Source: Validity of the single processor approach... (1967), p. 483

Source: 1980s and later, Models of my life, 1991, p. 199.

“[Speaking of computers] But they are useless. They can only give you answers.”
As discussed in this entry from Quote Investigator http://quoteinvestigator.com/2011/11/05/computers-useless/#more-2932, the origin seems to be the article "Pablo Picasso: A Composite Interview" by William Fifield which appeared in The Paris Review 32, Summer-Fall 1964, and collected a number of interviews Fifield had done with Picasso.
Common later variant: "Computers are useless. They can only give you answers." This variant seems to have arisen in the 1980s, the earliest known appearance in a book is Herman Feshbach, "Reflections on the Microprocessor Revolution: A Physicist's Viewpoint", in Man and Technology (1983), ed. Bruce M. Adkins, where the attribution is described as "rumoured". http://books.google.com/books?id=9EohAQAAIAAJ&q=Picasso
1960s

[3] Metaphor, 3.12. Conclusions
Semiotics and the Philosophy of Language (1984)
Context: No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.

Video History interview (1995)