“Looking at, ie analyzing the so-called the visual elements of an image, we see the surface, the outer look of an artwork. All practical art education (the use of artistic elements, ie art grammar) is mainly focused on this surface analysis. Sometimes, through these elements, it tries to penetrate deep into the essence of the image, into what it initiated and created a work, into an experience (this is the primary task of theory, sociology, and art history). This is very difficult. There are works that undoubtedly suggest its depth and meaning, but there is, at least sometimes, the possibility of a mistake.”

— Alfred Freddy Krupa

Aquarelle - Experiences of a Practitioner, Alfred Freddy Krupa , MB-Tisak (Croatia), 1994
1990s

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Alfred Freddy Krupa 3

Croatian contemporary painter, master draughtsman, book art… 1971

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Howard S. Becker (1928) American sociologist

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“Computer programming is like the ability or skill to see what Picasso saw from all the different angles at once. If it is an art, the crucial element of art is to look at things from an angle that produces new insight or at least has that potential.”

Erik Naggum (1965–2009) Norwegian computer programmer

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“Fundamental to this idea of art (conceptual art) is the understanding of the linguistic nature of all art propositions, be they past or present, and regardless of the elements used in their construction.”

Joseph Kosuth (1945) American conceptual artist

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“There is something ridiculous and miserly in the myth we inherit from abstract art: That painting is autonomous, pure and for itself, and therefore we habitually analyze its ingredients and define its limits. But painting is 'impure'. It is the adjustment of 'impurities', which forces painting’s continuity. We are image-makers and image-ridden. There are no 'wiggly or straight lines' or any other elements. You work until you vanish. The picture isn’t finished if they are seen.”

Phillip Guston (1913–1980) American artist

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El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

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Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Patterns in Comparative Religion (1963), as translated by Rosemary Sheed, p. xiii

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Alfred Freddy Krupa 3

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