“Right from his early days in the Andamans, Vinayak encouraged people to speak in Hindi....Till then, government records were maintained in Urdu, and even Hindi was written in the Persian script. Vinayak strongly advocated the implementation of the Devanagari script as it was the one in which the oldest language of the subcontinent, Sanskrit, was written. During his interactions with local merchants in his capacity as the foreman of oil collections, Vinayak passed this zeal on to them too. Through his influence, a girls’ school that was started in the Andamans began a compulsory teaching of Hindi in the Devanagari script.”

— Vinayak Damodar Savarkar

Vikram Sampath - Savarkar, Echoes from a Forgotten Past

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Vinayak Damodar Savarkar 24

Indian pro-independence activist,lawyer, politician, poet, … 1883–1966

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“Right from his childhood, Vinayak found the caste system that plagued Hindu society reprehensible. In his own little way he broke these barriers. Despite being an upper-caste Brahmin, and a landlord at that, all his childhood friends were from poor backgrounds and belonged to the supposed lower castes.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Vikram Sampath - Savarkar, Echoes from a Forgotten Past

“Translations [into the German language], even the best ones, proceed from a mistaken premise. They want to turn Hindi, Greek, English into German instead of turning German into Hindi, Greek, English. … The basic error of the translator is that he preserves the state in which his own language happens to be instead of allowing his language to be powerfully affected by the foreign tongue.”

Rudolf Pannwitz (1881–1969) German writer and philosopher

Unsere übertragungen, auch die besten, gehen von einem falschen grundsatz aus, sie wollen das indische, griechische, englische verdeutschen, anstatt das deutsche zu verindischen, vergriechischen, verenglischen. ... Der grundsätzliche irrtum des übertragenden ist, daß er den zufälligen stand der eigenen sprache festhält, anstatt sie durch die fremde gewaltig bewegen zu lassen.
Die Krisis der europäischen Kultur (1917), as translated in Walter Benjamin, Selected Writings: Volume 1, 1913-1926 (1996), pp. 261-262

“Despite being born in an orthodox and religious Chitpawan Brahmin community, Vinayak despised the caste system right from childhood. This has been illustrated in the kinships he developed with children from various castes and strata of society, and how he dined at their homes. At a time when most members of his community forbade sea travel for fear of a loss of caste, Vinayak was among the few Brahmins who travelled to London for his education. He had no qualms about going non-vegetarian as well, unlike most Brahmins of the time. As his political thoughts matured during his long years of incarceration, he penned essays on the abhorrent practice of the caste system and untouchability and how these sapped the nation of all vitality. Advocating a strong case for their total, complete and unconditional eradication at a time when these ideas were not yet a part of the political discourse popularized by either Gandhi or Ambedkar, he was the first to envision a casteless India.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Vikram Sampath - Savarkar, Echoes from a Forgotten Past

“Every screenwriter worthy of the name has already directed his film when he has written his script.”

Joseph L. Mankiewicz (1909–1993) American film director, screenwriter, and producer

Quoted in Leslie Halliwell, Halliwell's Who's Who in the Movies, 15th edition (Harper Collins, 2003, ISBN 0-060-53423-0, p. 312

“Islamism immediately revived the lost cause of Urdu behind the smoke-screen of this Communist campaign against Hindi. It lauded loudly when progressive Urdu poets like Firaq Gorakhpuri lampooned Hindi in a language which was largely unprintable. Simultaneously, Islamism started parading Urdu as the great language of culture and refinement which will be lost to India for good if Urdu was allowed to go under. No Communist came forward to examine this “culture and refinement as a legacy of decadent Muslim courts and a frivolous Muslim aristocracy. No Communist questioned the heavy Persianisation and Arabicisation of Urdu which made it incomprehensible even to educated people, leave alone the man in Chandni Chowk. The recognition of Urdu as a second language has today become a sine qua non of Secularism.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Society under Siege (1981, revised 1992)

“We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal--an illusion--since it rests upon paper. The wise person looks upon both paper and script as one.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

“Oh, I have a special way of writing the lyrics when it is dictated to me. No matter what the language of the song, even if it is Bengali, I write it in Hindi. I have certain notations and markings to indicate the way it should be pronounced. I feel the Devanagari script is the closest to the phonetics of the language. English alphabets are not very good for that purpose. Moreover, I listen carefully and try to grasp as much as possible when the lyrics are read to me.”

Shreya Ghoshal (1984) Indian playback singer

Getting it right (Singing) http://www.thehindu.com/features/metroplus/queen-of-the-charts/article390455.ece

“Q: What language is not written in French? A: Sanskrit. In French, it's known as sanskrit or sanscrit, which you can interpret as sans (without) + écrit (written)”

Anu Garg (1967) Indian author

https://www.facebook.com/wordsmithorg/posts/10157813707206840

“"The Sanskrit shall be our " Deva Bhasha)" our sacred language and the "Sanskrit Nishtha" Hindi, the Hindi which is derived from Sanskrit and draws its nourishment from the latter, is our ' 'mr' ' (Rashtra Bhasha) 12 [f.12] our current national language—-besides being the richest and the most cultured of the ancient languages of the world, to us Hindus the Sanskrit is the holiest tongue of tongues. Our scriptures, history, philosophy and culture have their roots so deeply imbedded in the Sanskrit literature that it forms veritably the brain of our Race. Mother of the majority of our mother tongues, she has suckled the rest of them at her breast. All Hindu languages current today whether derived from Sanskrit or grafted on to it can only grow and flourish on the sap of life they imbibe from Sanskrit. The Sanskrit language therefore must ever be an indispensable constituent of the classical course for Hindu youths.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

V.D. Savarkar quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

“It can be said without reservation that Tulsidas is the greatest to write in the Hindi language. Tulsidas was a Brahmin by birth and was believed to be a reincarnation of the author of the Sanskrit Ramayana, Valmiki.”

Tulsidas (1532–1623) Hindu poet-saint

Constance Jones & James D. Ryan in Encyclopedia of Hinduism http://books.google.co.in/books?id=OgMmceadQ3gC&printsec=frontcover&dq=Encyclopedia+of+Hinduism+(Encyclopedia+of+World+Religions)&hl=en&sa=X&ei=6cYBU_iiIeuRiQfwgoDQBA&ved=0CCwQ6AEwAA#v=onepage&q=Tuslidas&f=false, p. 456

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Vinayak Damodar Savarkar 24

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