
Boccioni's quote on early realized simultaneity in his art; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 458.
1914 - 1916, Pittura e scultura futuriste' Milan, 1914
Autobiography of Values (1978)
Context: I know myself as mortal, but this raises the question: "What is I?" Am I an individual, or am I an evolving life stream composed of countless selves? … As one identity, I was born in AD 1902. But as AD twentieth-century man, I am billions of years old. The life I consider as myself has existed though past eons with unbroken continuity. Individuals are custodians of the life stream — temporal manifestations of far greater being, forming from and returning to their essence like so many dreams. … I recall standing on the edge of a deep valley in the Hawaiian island of Maui, thinking that the life stream is like a mountain river — springing from hidden sources, born out of the earth, touched by stars, merging, blending, evolving in the shape momentarily seen. It is molecules probing through time, found smooth-flowing, adjusted to shaped and shaping banks, roiled by rocks and tree trunks — composed again. Now it ends, apparently, at a lava brink, a precipitous fall.
Near the fall's brink, I saw death as death cannot be seen. I stared at the very end of life, and at life that forms beyond, at the fact of immortality. Dark water bent, broke, disintegrated, transformed to apparition — a tall, stately ghost soul emerged from body, and the finite individuality of the whole becomes the infinite individuality of particles. Mist drifted, disappeared in air, a vanishing of spirit. Far below in the valley, I saw another river, reincarnated from the first, its particles reorganized to form a second body. It carried the same name. It was similar in appearance. It also ended at a lava brink. Flow followed fall, and fall followed flow as I descended the mountainside. The river was mortal and immortal as life, as becoming.
Boccioni's quote on early realized simultaneity in his art; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 458.
1914 - 1916, Pittura e scultura futuriste' Milan, 1914
“Always end the name of your child with a vowel, so that when you yell the name will carry.”
Harold Powers, "Language Models and Musical Analysis", p.39.
“Back from the brink of elimination to the brink of the NBA Finals!”
Moments after the Kobe–Shaq alley-oop, which capped off a 15-point comeback.
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 1
Context: The stone in quarries is found to be of different and unlike qualities. In some it is soft... in others it is medium... in still others it is hard as in lava quarries. There are also numerous other kinds: for instance, in Campania, red and black tufas; in Umbria, Picenum, and Venetia, white tufa which can be cut with a toothed saw like wood.
Source: The Sword or the Cross, Which Should be the Weapon of the Christian Militant? (1921), Ch.3 p. 58-59
Translation of Laozi's Tao Te Ching.
The Way of Life, According to Laotzu, 1944.
Rooster Teeth Podcast #256 https://www.youtube.com/watch?v=J4WrYoNduq0. youtube.com. February 4, 2014. Retrieved June 10, 2014.
“The afternoon moved like lava.”
Source: The 'Arturo Bandini' novels, The Road to Los Angeles (written 1935; published in 1985), Ch.20 - p.371