
1820s, Critical and Miscellaneous Essays (1827–1855)
1820s, Critical and Miscellaneous Essays (1827–1855)
Context: Humor is properly the exponent of low things; that which first renders them poetical to the mind. The man of Humor sees common life, even mean life, under the new light of sportfulness and love; whatever has existence has a charm for him. Humor has justly been regarded as the finest perfection of poetic genius. He who wants it, be his other gifts what they may, has only half a mind; an eye for what is above him, not for what is about him or below him. Now, among all writers of any real poetic genius, we cannot recollect one who, in this respect, exhibits such total deficiency as Schiller. In his whole writings there is scarcely any vestige of it, scarcely any attempt that way. His nature was without Humor; and he had too true a feeling to adopt any counterfeit in its stead. Thus no drollery or caricature, still less any barren mockery, which, in the hundred cases are all that we find passing current as Humor, discover themselves in Schiller. His works are full of labored earnestness; he is the gravest of all writers.
1820s, Critical and Miscellaneous Essays (1827–1855)
On the role of humor in her personal life, p. 10.
Autobiography
Source: 2007: Movie Icons, ISBN 9783822822081 , page 174 , Verlag Taschen GmbH
“It's hard not to immediately fall in love witha dog who has a good sense of humor.”
Source: Because of Winn-Dixie
“Common man, no matter how hard life is to him, at least has the fortune of not thinking it.”
Ibid., p. 181
The Book of Disquiet
Original: O homem vulgar, por mais dura que lhe seja a vida, tem ao menos a felicidade de a não pensar.