
1900s, God Does Not Exist (1904)
On Literature, Revolution, Entropy and Other Matters (1923)
Context: When the flaming, seething sphere (in science, religion, social life, art) cools, the fiery magma becomes coated with dogma—a rigid, ossified, motionless crust. Dogmatization in science, religion, social life, or art is the entropy of thought. What has become dogma no longer burns; it only gives off warmth — it is tepid, it is cool. Instead of the Sermon on the Mount, under the scorching sun, to up-raised arms and sobbing people, there is drowsy prayer in a magnificent abbey. Instead of Galileo's "But still, it turns!" there are dispassionate computations in a well-heated room in an observatory. On the Galileos, the epigones build their own structures, slowly, bit by bit, like corals. This is the path of evolution — until a new heresy explodes the crush of dogma and all the edifices of the most enduring stone which have been raised upon it.
Explosions are not very comfortable. And therefore the exploders, the heretics, are justly exterminated by fire, by axes, by words. To every today, to every evolution, to the laborious, slow, useful, most useful, creative, coral-building work, heretics are a threat. Stupidly, recklessly, they burst into today from tomorrow; they are romantics.
1900s, God Does Not Exist (1904)
As quoted in The New York Times (21 June 1939)
“A man must be orthodox upon most things, or he will never even have time to preach his own heresy.”
George Bernard Shaw (1909)
On leadership and the relation between madness, heresy, and genius.
Ideas as Art (2006)
The Prophet (1923)
Context: Say not, "I have found the path of the soul." Say rather, "I have found the soul walking upon my path." For the soul walks upon all paths. The soul walks not upon a line, neither does it grow like a reed. The soul unfolds itself, like a lotus of countless petals.
Il ne faut pas comparer la marche de la science aux transformations d’une ville, où les édifices vieillis sont impitoyablement jetés à bas pour faire place aux constructions nouvelles, mais à l’évolution continue des types zoologiques qui se développent sans cesse et finissent par devenir méconnaissables aux regards vulgaires, mais où un œil exercé retrouve toujours les traces du travail antérieur des siècles passés. Il ne faut donc pas croire que les théories démodées ont été stériles et vaines.
Introduction, p. 14
The Value of Science (1905)
Source: The Five People You Meet in Heaven (2003)
Context: Parents rarely let go of their children, so children let go of them. They move on. They move away. The moments that used to define them - a mother's approval, a father's nod - are covered by moments of their own accomplishments. It is not until much later, as the skin sags and the heart weakens, that children understand; their stories, and all their accomplishments, sit atop the stories of their mothers and fathers, stones upon stones, beneath the waters of their lives.