“Most creativity is a transition from one context into another where things are more surprising.”

Source: Anarchy, State, and Utopia (1974), Ch. 7 : Distributive Justice, Section I, The Entitlement Theory, p. 152
Context: Some people steal from others, or defraud them, or enslave them, seizing their product and preventing them from living as they choose, or forcibly exclude others from competing in exchanges. None of these are permissible modes of transition from one situation to another.

Bei den meisten Menschen gründet sich der unglaube in einer Sache auf blinden Glauben in einer anderen.
http://books.google.com/books?id=oK1LAAAAcAAJ&q=%22Bei+den+meisten+Menschen+gr%C3%BCndet+sich+der+unglaube+in+einer+Sache+auf+blinden+Glauben+in+einer+anderen%22&pg=PA104#v=onepage
L 81
Variant translation: With most people disbelief in a thing is founded on a blind belief in some other thing.
Aphorisms (1765-1799), Notebook L (1793-1796)

When a Frog is a River? Aristotle Wrestles Heraclitus
The God Problem: How a Godless Cosmos Creates (2012)

Oui interview (1979)
Context: Certification from one source or another seems to be the most important thing to people all over the world. A piece of paper from a school that says you’re smart, a pat on the head from your parents that says you’re good or some reinforcement from your peers that makes you think what you’re doing is worthwhile. People are just waiting around to get certified.

General Relation of the Concept System of Thesis and Antithesis
Gesammelte Mathematische Werke (1876)

The Artist's Way (1992)
Context: All too often too often we try to push, pull, outline and control our ideas instead of letting them grow organically. The creative process is a process of surrender, not control.
Mystery is at the heart of creativity. That, and surprise. <!-- p. 195

"Lettre XII: sur M. Pope et quelques autres poètes fameux," Lettres philosophiques (1756 edition)
Variants:
He looked on everything as imitation. The most original writers, he said, borrowed one from another. Boyardo has imitated Pulci, and Ariofio Boyardo. The instruction we find in books is like fire; we fetch it from our neighbour, kindle it as home, communicate it to others, and it becomes the property of all.
Historical and Critical Memoirs of the Life and Writings of M. de Voltaire (1786) by Louis Mayeul Chaudon, p. 348
What we find in books is like the fire in our hearths. We fetch it from our neighbors, we kindle it at home, we communicate it to others, and it becomes the property of all.
As translated in Geary's Guide to the World's Great Aphorists (2008), by James Geary, p. 373
Context: Thus, almost everything is imitation. The idea of The Persian Letters was taken from The Turkish Spy. Boiardo imitated Pulci, Ariosto imitated Boiardo. The most original minds borrowed from one another. Miguel de Cervantes makes his Don Quixote a fool; but pray is Orlando any other? It would puzzle one to decide whether knight errantry has been made more ridiculous by the grotesque painting of Cervantes, than by the luxuriant imagination of Ariosto. Metastasio has taken the greatest part of his operas from our French tragedies. Several English writers have copied us without saying one word of the matter. It is with books as with the fire in our hearths; we go to a neighbor to get the embers and light it when we return home, pass it on to others, and it belongs to everyone

Talks at Google (Oct 28, 2014)
Context: This mind wandering mode turns out to be very different from the task engagement mode, because it's where thoughts that are loosely connected seamlessly flow into one another like in a dream.... And you begin to see connections between things that you didn't see as connected before.... non-linear kinds of thinking... This is the mode of thinking where your most creative acts are likely to occur and where problem solving is apt to occur.