Paris Review interview (1986)
Context: Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.
Samanta Schweblin (1978) Argentine writer
On her encouraging that Americans read literature beyond their country in “Samanta Schweblin on Revealing Darkness Through Fiction” https://lithub.com/samanta-schweblin-on-revealing-darkness-through-fiction/ in LitHub (2017 Jan 12)
Burton Rascoe (1892–1957) American writer
"Fanfare", in H. L. Mencken (1920)
Context: American literature has been, and is, singularly deficient in established critics who have anything like a rational conception of their jobs. The majority, initiate in a few of the patent rituals of Aristotle and Quintilian, don the forbidding robes of high priests to Sweetness and Light, and go about their business much as if the idea were to keep all they know to themselves.
Cyrus H. Gordon (1908–2001) American linguist
Did Greece borrow from Israel? Or did Israel borrow from Greece? Can the parallels be accidental, do they obliterate the uniqueness of both Israel and Greece?
Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])
Gao Xingjian (1940) Chinese novelist and playwright
Interview by Jean-Luc Douin http://web.archive.org/web/20130421061108/http://my.opera.com/PRC/blog/?startidx=560
Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer
"All Literature", from Anarchism Is Not Enough (London: Jonathan Cape, 1928)
Don McLean (1945) American Singer and songwriter
As quoted in "What is Don McLean's song 'American Pie' all about?" at The Straight Dope (15 May 1993) http://www.straightdope.com/columns/read/908/what-is-don-mcleans-song-american-pie-all-about <br class="br">Context: As you can imagine, over the years I have been asked many times to discuss and explain my song "American Pie" I have never discussed the lyrics, but have admitted to the Holly reference in the opening stanzas. You will find many interpretations of my lyrics but none of them by me. … Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence.
Northrop Frye (1912–1991) Canadian literary critic and literary theorist
"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
Context: In literature you don't just read one poem or novel after another, but enter into a complete world of which every work of literature forms part. This affects the writer as much as it does the reader.
