“Writing is all a lottery -- I have been a loser by the works of the greatest men of the age.”
Tobias Smollett book The Expedition of Humphry Clinker
The Expedition of Humphry Clinker (1771).
“The greatest artists have never been men of taste.”
The Energies of Art: Studies of Authors Classic and Modern (1956)
Context: The greatest artists have never been men of taste. By never sophisticating their instincts they have never lost the awareness of the great simplicities, which they relish both from appetite and from the challenge these offer to skill in competition with popular art.
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Jacques Barzun46
Historian 1907–2012Related quotes
Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Knight of the Royal Axe, or Prince of Libanus, p. 347
Walt Whitman (1819–1892) American poet, essayist and journalist
"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851) <br class="br">Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.<br>I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
“I think “taste” is a social concept and not an artistic one.”
John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic
Interview in New York Times Book Review (10 April 1977). later published in Conversations with John Updike (1994) edited by James Plath, p. 113
Context: I think “taste” is a social concept and not an artistic one. I’m willing to show good taste, if I can, in somebody else’s living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another’s brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.
“Ladies have a bad taste in men. I'm not that good looking.”
Billie Joe Armstrong (1972) American singer and guitarist
Marianne von Werefkin (1860–1938) expressionist painter
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
John Ruskin book Modern Painters
Volume I, part I, chapter II, section 9 (1843).
Modern Painters (1843-1860)
“Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.”
Louis-ferdinand Céline book Journey to the End of the Night
Source: Journey to the End of the Night
Isadora Duncan (1877–1927) American dancer and choreographer
As quoted in A Century of Sundays : 100 years of Breaking News in the Sunday Papers (2006) by Nadine Dreyer, p. 65 http://books.google.com/books?id=5rFGX4z8-S8C&pg=PA65&dq=%22Love+is+an+illusion;+it+is+the+world's+greatest+mistake%22&hl=en&sa=X&ei=NPAkT7mJDJKy0AH5vcXkCA&ved=0CDIQ6AEwAA#v=onepage&q=%22Love%20is%20an%20illusion%3B%20it%20is%20the%20world's%20greatest%20mistake%22&f=false
Nicolas Chamfort (1741–1794) French writer
Le bon goût, le tact et le bon ton, ont plus de rapport que n'affectent de le croire les Gens de Lettres. Le tact, c'est le bon goût appliqué au main- tien et à la conduite; le bon ton, c'est le bon goût appliqué aux discours et à la conversation.
Maximes et Pensées, #427
Maxims and Considerations, #427