
An Oral History of Popular Music (1989)
In his letter to Theo, from The Hague, 21 July 1882, http://www.vggallery.com/letters/245_V-T_218.pdf
1880s, 1882
Context: What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion.
Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
An Oral History of Popular Music (1989)
Interview with Rene Fulop-Miller (24 March 1923)
Context: I am a person who has never used violence himself. My present opinion is that people who have obtained the ballot should use it and solve their problems in that way. In the case of peoples who have not obtained the ballot, and who cannot control their states, I again find in my own mind a division of opinion, which is not logical, but purely a rough practical judgment. My own forefathers got their political freedom by violence; that is to say, they overthrew the British crown and made themselves a free Republic. Also by violence they put an end to the enslavement of the black race on this continent.
From an interview http://www.mediaite.com/tv/hillary-clinton-pushes-back-at-pbs-gwen-ifill-im-not-mitt-romney/ with Gwen Ifill (25 June 2014)
Interim (2013–2015)
From 1980s onwards, Critical Path (1981)
Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!