 
                            
                        
                        
                        On the subject of the rule in Shelley's Case (1 Rep. 104a); reported in James William Norton-Kyshe, Dictionary of Legal Quotations (1904), p. 170.
            Cosmopolitan (October 1906) 
Context: What life means to me is to put the content of Shelley into the form of Zola. The proletarian writer is a writer with a purpose; he thinks no more of "art for art's sake" than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore — and then there will be time enough for art.
        
On the subject of the rule in Shelley's Case (1 Rep. 104a); reported in James William Norton-Kyshe, Dictionary of Legal Quotations (1904), p. 170.
                                
                                    “O dream of fame, what hast thou been to me
But the destroyer of life's calm content!”
                                
                                
                                
                                
                            
                                        
                                        Erinna 
The Golden Violet (1827)
                                    
                                        
                                        "Roles, Masks, and Performances", New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), p. 520 
1970s
                                    
                                        
                                        1840s, Past and Present (1843) 
Context: Democracy, which means despair of finding any Heroes to govern you, and contented putting up with the want of them,—alas, thou too, mein Lieber, seest well how close it is of kin to Atheism, and other sad Isms: he who discovers no God whatever, how shall he discover Heroes, the visible Temples of God?
                                    
Source: The Last Messiah (1933), To Be a Human Being https://www.youtube.com/watch?v=u4m6vvaY-Wo&t=1110s (1989–90)
                                        
                                        "The Dangerous Myth of Creationism" in Penthouse (January 1982); reprinted as Ch. 2 : "Creationism and the Schools" in The Roving Mind (1983), p. 16 
General sources
                                    
The Anatomy of Influence (2011), p. 142.
“The form of my painting is the content.”
                                        
                                        as quoted in "Abstract Art", Anna Moszynska, Thames and Hudson 1990, p. 173 
1969 - 1980
                                    
                                        
                                        Session 735, Page 574 
The “Unknown” Reality: Volume Two, (1979)
                                    
 
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                        