
Epigraph, based upon the style of Samuel Johnson in The History of Rasselas, Prince of Abissinia (1759), using a fictional reference to Imlac the philosopher in Johnson's tale.
The Silver Stallion (1926)
Horvendille, in Book Six : In the Sylan's House, Ch. XXXIX : One Warden Left Uncircumvented
The Silver Stallion (1926)
Context: Is it not a pity, Guivric, that this Kalki will not come in our day, and that we shall never behold his complete glory? I cry a lament for that Kalki who will someday bring back to their appointed places high faith and very ardent loves and hatreds; and who will see to it that human passions are in never so poor a way to find expressions in adequate speech and action. Ohé, I cry a loud lament for Kalki! The little silver effigies which his postulants fashion and adore are well enough: but Kalki is a horse of another color.
Epigraph, based upon the style of Samuel Johnson in The History of Rasselas, Prince of Abissinia (1759), using a fictional reference to Imlac the philosopher in Johnson's tale.
The Silver Stallion (1926)
Book One, Part IV “Ankurum”, Chapter 5 (p. 108)
The Birthgrave (1975)
“.. colors are my notes for fashioning sounds and chords with and against one another.”
as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
3 short quotes in which Nolde expresses the evocative power of color, which became with his garden and flower paintings from 1906-07 the chief medium of his art.
undated quotes
Congressional Testimony on Football
“All in green went my love riding
on a great horse of gold
into the silver dawn.”
Tulips and Chimneys (1923) IV
“He was all silver and ashes, not like Will's strong colors of blue and black and gold.”
Source: The Infernal Devices: Clockwork Angel
“Sometimes a wild horse needs to feel that his rider is just a little bit wilder.”
Source: Ruby
Nolde's written note in 1942; as quoted in Nolde: Forbidden Pictures [exhibition catalog], Marlsborough Fine Art Ltd., London, 1970, p. 9
1921 - 1956
“I usually stay away from being carried away,
But one day I saw a silver horse.”
"Silver Horse" on Season of Glass (1981).
Context: I usually stay away from being carried away,
But one day I saw a silver horse.
I thought he might take me to that somewhere high,
I thought he might take me to that deep blue sky. I came to realize that the horse had no wings.
No wings, well, it wasn't so bad, you know. I learnt to travel the world around
And run on the ground in the morning.
And that's the story of a wandering soul,
A story of a dreamer.