“Thematic analysis is a process for encoding quantitative information. The encoding requires an explicit "code". This may be a list of themes; a complex model with themes, indicators, and qualifications that are causally related; or something in between these two forms. A theme is a pattern found in the information that at minimum describes and organizes the possible observations and at maximum interprets aspects of the phenomenon. A theme may be identified at the manifest level (directly observable in the information) or at the latent level (underlying the phenomenon). The themes may be initially generated inductively from the raw information or generated deductively from theory or prior research.”

— Richard Boyatzis

Source: Transforming qualitative information (1998), p. vi-vii.

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Richard Boyatzis 22

American business theorist 1946

Richard Boyatzis (1946) American business theorist

Source: Transforming qualitative information (1998), p. 4.

“The proper form of science is explanation and argument, and the proper form of religion and morality is exhortation and command; but that of art is simply the directest embodiment of its theme as the theme itself requires. Assured that the theme is compatible with the ideal nature of art, the artist knows that it will justify itself and work its own work, if it can only find expression in its natural embodiment.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.201-2

“It is clear that the origins of the discourse on multitude are to be found in the subversive interpretation of the thinking of Spinoza. I can never tire of stressing the importance of the Spinozan premise in the treatment of this thematic. And one highly Spinozist theme is that of the body, and particularly that of the potent body.”

Baruch Spinoza (1632–1677) Dutch philosopher

Antonio Negri and Michael Hardt, Reflections on Empire (Cambridge, UK: Polity, 2008)
M - R

“The raw data or information collected for studies using thematic analysis is a person's own words or actions or observable aspects of his or her life in an organization or culture.”

Richard Boyatzis (1946) American business theorist

Source: Transforming qualitative information (1998), p. xii.

“These two processes—linguistic philology and genetic phylogeny—are converging upon a common theme: the history of human migrations.”

Matt Ridley book Genome

Source: Genome (1999), Chapter 13 “Pre-History” (p. 185)

“Whenever a work's structure is intentionally one of its own themes, another of its themes is art.”

Annie Dillard (1945) American writer

Quoted by Ted Nelson in Literary Machines (1982)

“Nor ever shall the Muse's eye
Unraptured greet thy beam:
Theme of primeval prophecy,
Be still the poet's theme!”

Thomas Campbell (1777–1844) British writer

Theodric : A Domestic Tale; and Other Poems (1825), To the Rainbow
Context: p>Methinks, thy jubilee to keep,
The first-made anthem rang
On earth deliver'd from the deep,
And the first poet sang.Nor ever shall the Muse's eye
Unraptured greet thy beam:
Theme of primeval prophecy,
Be still the poet's theme!</p

“They say great themes make great novels.. but what these young writers don't understand is that there is no greater theme than men and women.”

John O'Hara (1905–1970) American journalist

“[A process for encoding qualitative information] used as part of many qualitative method, considers that is not a separate method but something to be used to assist the researcher in the search of insight.”

Richard Boyatzis (1946) American business theorist

Source: Transforming qualitative information (1998), p. as cited in: Graciela Tonon (2012) Young People's Quality of Life and Construction of Citizenship. p. 53.

“Prokofiev had a particular talent for creating a fully identifiable mood within the first notes of a piece, passage, or theme.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

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