“No one wants my painting because it is different from other people's — peculiar, crazy public that demands the greatest possible degree of originality on the painter's part and yet won't accept him unless his work resembles that of the others!”

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 205: in a letter to Ambroise Vollard, January 1900

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Paul Gauguin41

French Post-Impressionist artist 1848–1903

Wolfgang Köhler (1887–1967) German-American psychologist and phenomenologist

Source: Dynamics in Psychology, 1940, p. 135

“The one whom I honor most of all is Rembrandt. Rubens and Velasquez painted better than Rembrandt, but he was the greatest of all painters because he was most powerful humanly. His grasp of all things was from within out. He had something that surpassed all other painters-a great humanity. He is perhaps the only one who could have painted the Christ.”

Fritz von Uhde (1848–1911) German artist

As quoted by Gustav Stickley (1911). The Craftsman http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=article&did=DLDecArts.hdv20n06.i0027&id=DLDecArts.hdv20n06&isize=text, Volume 20. United Crafts, p. 631

“No real painter ever wants be known through any other medium than his painting.”

Patrick Swift (1927–1983) British artist

The Artist Speaks (1951)

“Two people may be at the same spot in manners and behaviour, and yet one may be getting better, and the other worse, which is the greatest of differences that could possibly exist between them.”

George MacDonald book The Princess and Curdie

The Princess and Curdie (1883)

“In this consists the difference between painting and poetry : the painter reproduces others, — the poet reproduces himself.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

“I hope my recordings of my own works won't inhibit other people's performances. The brutal fact is that one doesn't always get the exact tempo one wants, although one improves with experience.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Classic Essays on Twentieth-Century Music, ISBN 0028645812.

“Originality consists in thinking for yourself, not in thinking differently from other people.”

James Fitzjames Stephen (1829–1894) Indian judge

Ch. 2 http://books.google.com/books?id=MAkAAAAAYAAJ&q=&quot;originality+consists+in+thinking+for+yourself,+not+in+thinking+differently+from+other+people&quot;&pg=PA48#v=onepage <br class="br">Liberty, Equality, Fraternity (1873-1874)

“Man only is endowed with wisdom so as to understand religion, and this is the principal if not the only difference betwixt him and dumb animals; for other things that seem peculiar to him, though they are not the same in them, yet they appear to be alike … What is there more peculiar to man than reason, and foresight? Yet there are animals which make several different ways of retiring from their dens; that when in danger they may escape; which without understanding and forethought they could not do. Others make provision for the future.”
Solus (homo) sapientia instructus est ut religionem solus intellegat, et haec est hominis atque mutorum vel praecipua, vel sola distantia; nam caetera quae videntur hominis esse propria, etsi non sint talia in mutis, tamen similia videri possunt … Quid tam proprium homini quam ratio, et providentia futuri? Atqui sunt animalia, quae latibulis suis diversos, et plures exitus pandant; ut si quod periculum inciderit, fuga pateat obsessis; quod non facerent, nisi inesset illis intelligentia, et cogitatio. Alia provident in futurum.

Lactantius (250–325) Early Christian author

De Ira Dei (c. 313), Chap. VII; as quoted in Pierre Bayle, Historical and Critical Dictionary (1697), London, 1737, Vol. 4, Chap. Rorarius, p. 903 https://books.google.it/books?id=JmtXAAAAYAAJ&pg=PA903.

“Art is something given, not reproduced… the painter paints what he sees with his innermost senses, the expression of his being.. every other impression becomes, for him, an inner expression.”

Herwarth Walden (1878–1941) German artist

Erster Deutscher Herbstsalaon (1913)

“The only influences in [the painting 'The sick Child', Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] 'The sick Child'.... were the ones that come from my home.... my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.... few painters have ever experienced the full grief of their subject as I did in 'The sick child.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

It was not just I who was suffering; it was all my nearest and dearest as well.
Edvard Munch talks to Jens Tiis, c. 1933, Munch Museum; as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 85-86
after 1930

“No one wants my painting because it is different from other people's — peculiar, crazy public that demands the greatest possible degree of originality on the painter's part and yet won't accept him unless his work resembles that of the others!”

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Paul Gauguin41

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