“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

— Vytautas Juozapaitis

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes…" by Vytautas Juozapaitis?

Vytautas Juozapaitis 24

Lithuanian opera singer 1963

Related quotes

“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

“The Mozart Festival Opera's production of Don Giovanni made the three hours fly. The miming between Stefano de Peppo and Vytautas Juozapaitis as Don Giovanni was great physical comedy that had the audience laughing out loud. Juozapaitis possessed the voice, swagger and stage presence to match and dominate Leporello, and his costumes are among the best I've seen. I think Mozart would have approved.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Christopher Hyde, "Mozart would have approved", Portland Press Herald (March, 2005) http://www.jennykellyproductions.com/prod_mozart_review.htm

“Last night's fierce-eyed Don Giovanni, sung by Vytautas Juozapaitis, was a lean and hungry predator (…) Mozart's dark comedy has been realised with grandeur.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Peter Palmer, "The secret is out… so don't miss out". Evening Post (July 22, 2004)

“The performance of Mozart's Don Giovanni Tuesday night at the University of NH, Johnson Theatre, was absolutely stunning. Lithuanian baritone, Vytautas Juozapaitis, (Don Giovanni) not only had the necessary voice, but he played the boastfully lecherous rake to great fanfare.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

"A perversely stunning Don Giovanni", Portsmouth Herald (February, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

“Simple motion strikes us as banal. The time element must be eliminated. Yesterday and tomorrow as simultaneous. In music, polyphony helped to some extent to satisfy this need. A quintet as in 'Don Giovanni' is closer to us than the epic motion in 'Tristan [und Isolde]'. Mozart and Bach are more modern than the [music of the] nineteenth century.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1917), # 1081, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920

“A lot of musicians are going to have to retrain. It's nonsense to say that traditional classical music is more complex. Contemporary pieces by Harrison Birtwistle are much harder to play than Mozart or Wagner. I know a lot of people don't want to hear that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
On Classical Music

“Why did Mozart compose music?”

Jonas Salk (1914–1995) Inventor of polio vaccine

Response when asked why he chose to do medical research rather than be a practicing physician, as quoted in The Polio Man : The Story of Dr. Jonas Salk (1961) by John Rowland, p. 23

“Mozart had extensive training from his father, who was widely considered the greatest living music teacher in all of Europe at the time.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

“Mozart didn't need a scheme for his music. He played and sang with the heavenly lightness of a child.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Mozart brauchte kein Programm für seine Musik. Er musizierte und sang mit der göttlichen Leichtigkeit eines Kindes.
Michael: a German fate in diary notes (1926)

“We wince at the brutality of parents who ship their young kids around to perform for adults at the expense of their childhood — but, then, that was Mozart’s childhood, and though by the end Mozart may have wished for less attention as a kid performer and more as a grownup composer, he never for a moment wished not to be Mozart.”

Adam Gopnik (1956) American journalist

How to Raise a Prodigy, The New Yorker (2018)

Help us to complete the source, original and additional information

Vytautas Juozapaitis 24

Related quotes

Related topics