Ken McLeod (1948) Canadian lama
Six Ways Not to Approach Meditation http://www.unfetteredmind.org/meditation-six-realm/0. Unfettered Mind http://www.unfetteredmind.org. (Topic: Practice)
p 252; Cited in: Javier Trevino, Goffman's Legacy. Rowman & Littlefield Publishers, 2003, p. 55.
1950s-1960s, The Presentation of Self in Everyday Life, 1959
Ken McLeod (1948) Canadian lama
Six Ways Not to Approach Meditation http://www.unfetteredmind.org/meditation-six-realm/0. Unfettered Mind http://www.unfetteredmind.org. (Topic: Practice)
Howard E. Aldrich (1943) American sociologist
Source: Organizations and Environments, 1979, p. 204
Edgar H. Schein (1928) Psychologist
Source: Organizational Culture and Leadership, 1985, p. 12-13
Eric Hoffer book The True Believer
Section 7
The True Believer (1951), Part One: The Appeal of Mass Movements
Context: There is a fundamental difference between the appeal of a mass movement and the appeal of a practical organization. The practical organization offers opportunities for self-advancement, and its appeal is mainly to self-interest. On the other hand, a mass movement, particularly in its active, revivalist phase, appeals not to those intent on bolstering and advancing a cherished self, but to those who crave to be rid of an unwanted self. A mass movement attracts and holds a following not because it can satisfy the desire for self-advancement, but because it can satisfy the passion for self-renunciation.
Lynne G. Zucker American sociologist
Lynne G. Zucker (1987). "Institutional Theories of Organization," In: Annual Review of Sociology Vol. 13: 443-464
John F. Kennedy (1917–1963) 35th president of the United States of America
1963, President John F. Kennedy's last formal speech and public words
“Subject.... no specific scene but many incidents.”
Arshile Gorky (1904–1948) Armenian-American painter
The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]
in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941