“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”
Breaking the Waves is the clearest example of that.
bjork."
From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark.
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Icelandic singer-songwriter 1965Related quotes
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“Defend me from my friends; I can defend myself from my enemies.”
Garantissez-moi de mes amis, écrivait Gourville proscrit et fugitif, je saurai me défendre de mes ennemis. ("Defend me from my friends," wrote Gourville, exile and fugitive, "I can defend myself from my enemies.") — Gabriel Sénac de Meilhan, Considérations sur l'esprit et les moeurs (1788): "De L'Amitié." Sénac de Meilhan was quoting Jean Hérault, sieur de Gourville (1625 - 1703).
The remark has often been attributed to Voltaire and to Claude-Louis-Hector de Villars.
Misattributed
On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210
As quoted in "Christopher Isherwood Interview" with Winston Leyland (1973), from Conversations with Christopher Isherwood, ed. James J. Berg and Chris Freeman (2001), p. 108